书体:

色彩:

水墨

装裱形式:

轴

创作时间:

明穆宗隆庆六年（1572）

文字类型:

质地:

本幅纸

释文:

印记资料:

鑑藏宝玺：嘉庆御览之宝
鑑藏宝玺：宣统御览之宝

题跋资料:

题跋类别：作者款识；作者：张元士；题跋位置：本幅；款识：隆庆壬申（西元一五七二年）春正月。琴山斋中水仙数茎。精彩倍常。诸名公日觞咏于其间。馀亦叨侍席末。琴山怪馀久无作至。闰二月既望。勉图此纸。自媿拙劣。岂敢与诸大家争妍耶。支峰张元士识。；书体：楷书；全文： 印记：张元士印、张氏叔上

主题:

主要主题：花草水仙 

技法:

白描 工笔 

参考资料:

收藏着录： 故宫书画录（卷五），第三册，页499-500 收藏着录： 故宫书画图录，第九册，页15-16 内容简介（中文）： 张元士，年里事蹟待考。 张元士名上署支峯字，幅下又有张氏叔上印，似叔上为元士之字，支峰则或为地名或为别署不可知。其画笔墨秀挺之甚，水仙有赵子固遗风，而画传不载其姓字，可谓野有遗贤矣。此幅作于隆庆壬申，幅上有长跋，书法颇近文休承，支峯或卽支硎山，若是则亦当为吴人耶。 内容简介（英文）： No biographical data are known about this artist. Above Chang’s signature, there are the two characters “Chih Feng.” At the bottom left hand comer, there is a 5-character seal reading “Chang –shih Shu-shang Yin.” It may be that “Shu-shang” was Chang’s style name, “Chih Feng” either a place name or, perhaps, the painter’s sobriquet. The brushwork in the painting is most refined and firm. The narcissus remind one of those by Chao Meng-chien (fl. 1226-1290). It is a pity that no literary record of such a talent as Chang Yüan-shih’s is known. Such is the case of ‘the virtuous who live in the wilderness.’ The long colophon by the artist, which states that this work was finished in 1572, shows the influence of calligraphy by Wen Chia (1500-1582). The ambiguous “Chih Feng” might be the Chih-hsing Mountain in the region of Soochow, in which case the painter shared in common the same native place with Wen Chia.