书体:

色彩:

水墨

装裱形式:

轴

创作时间:

清圣祖康熙二年（1663）

文字类型:

质地:

本幅纸

释文:

印记资料:

鑑藏宝玺：乾隆御览之宝
鑑藏宝玺：乾隆鑑赏
鑑藏宝玺：石渠宝笈
鑑藏宝玺：三希堂精鑑玺
鑑藏宝玺：宜子孙
收传印记：沈德潜印
收传印记：太原伯子冈龄氏赏鑑

题跋资料:

题跋类别：作者款识；作者：王鑑；题跋位置：本幅；款识：馀见金阊友人家所藏倪高士绿水园。妙有幽微澹远之致。此帧拟之。媿不能彷彿万一也。癸卯（西元一六六三年）冬日王鑑识。；书体：行书；全文： 印记：王鑑之印、湘碧

主题:

主要主题：山水  ；其他主题：树木寒林．枯树枯树；其他主题：树木竹 ；其他主题：树木  ；其他主题：山水江河、湖海江河

技法:

写意 皴法 皴法折带皴

参考资料:

收藏着录： 故宫书画录（卷五），第三册，页514 收藏着录： 故宫书画图录，第十册，页77-78 内容简介（中文）： 作者王鑑，生在明万历二十六（公元一五九八）年，死在清康熙十六（公元一六七七）年。江苏太仓人。字圆照，号湘碧，自称染香庵主，为明代学者王世贞的孙子，作官到廉州知府。善画山水，又精通画理。他的画也是师学元四家，对于临摹前人作品，有独到之处。前人批评他是「擅长用笔，用墨浓黑滋润，又善于着色晕染，所以，山石特别具有厚重的质感」。他与王时敏、王翬、王原祁，被尊为清初山水四大家，合称「四王」。 内容简介（中文）： 王鑑，江苏太仓人（西元一五九八至一六七七）字圆照，号湘碧，自称染香庵主，世贞之孙。仕至廉州知府，精通画理，山水为清四大家之一。圆照学倪，特饶清韵，本幅自董思白（其昌）上溯倪迂。起首三树，直是思翁心法，对山石脚，信手横拖沙嘴，随意迤逦，益增幽深之趣。此画成于六十六岁。 内容简介（英文）： Wang Chien (1598-1677) was a native of T’ai-ts’ang, Kiangsu. His style name was Yüan-chao; his sobriquet was Hsiang-pi. Wang Chieh sometimes referred to himself as Jan-hsiang-an-chu. A grandson of Wang Shih-chen, Wang Chieh was made Prefect of Lien-chou, Kwangtung. He made a thorough study of painting theory, and because of his landscapes, was considered one of the Four Masters of the Ch’ing dynasty.In studying the work of the Yüan master, Ni Tsan, Wang Chien achieved exceptional purity and harmony. In this painting he is interpreting the style of Ni Tsan through the intermediary of Tung Ch’i-ch’ang of the Ming dynasty. The painting was completed when Wang Chien was sixty-six years old. 内容简介（英文）： Wang Chien was a native of T’ai-ts’ang in Kiangsu province and the grandson of Wang Shih-chen, a famous scholar of the Ming period. He held official position, serving as the magistrate of Lien-chou, Canton. A particularly skilled painter of landscapes, he was well-versed in the principles of painting. In his paintings he studied the Four Greet Masters of the Yüan, and his copies of the works of the masters of the past posses his own individual contributions. Critics of former times have said that he excelled at using the brush; used ink in a deep and moist manner; was skilled at applying color and color wash; and therefore his mountains and rocks posses a stately and graceful quality. Wang Chien, Wang Shih-min, Wang Hui, and Wang Yüan-ch’i have become venerated as Four Great Landscape Masters of the early Ch’ing, and are known collectively as the “Four Wangs.”