书体:

色彩:

设色

装裱形式:

轴

创作时间:

清圣祖康熙二十四年（1685）

文字类型:

质地:

本幅绢

释文:

印记资料:

鑑藏宝玺：嘉庆御览之宝
鑑藏宝玺：嘉庆鑑赏
鑑藏宝玺：石渠宝笈
鑑藏宝玺：三希堂精鑑玺
鑑藏宝玺：宜子孙
鑑藏宝玺：宝笈三编
鑑藏宝玺：宣统御览之宝

题跋资料:

题跋类别：作者款识；作者：王武；题跋位置：本幅；款识：沈沈帘幙昼如年。百合花香榴火然。静对忘忧堂背草。数声啼鸟晚凉天。乙丑（西元一六八五年）仲夏写并题为舟臣年道兄笑正。震泽王武。；书体：行书；全文： 印记：王武、勤中、忘菴

主题:

主要主题：花草蜀葵 主要主题：翎毛八哥（鸲鹆） ；次要主题：花草萱花 ；次要主题：果蔬石榴 ；次要主题：树木杨柳 ；其他主题：山水奇石 ；其他主题：花草百合花 ；其他主题：花草 草；其他主题：山水溪涧、湍泉溪涧

技法:

写意 没骨 皴法 苔点 

参考资料:

收藏着录： 石渠宝笈三编（延春阁），第五册，页2164 收藏着录： 故宫书画录（卷五），第三册，页516 收藏着录： 故宫书画图录，第十册，页101-102 内容简介（中文）： 王武（西元一六三二至一六九○年），江苏长洲人。字勤中，号忘庵，自称雪颠道人。精于鑑赏，家富收藏，于宋元明诸大家名蹟，往往心摹手追，务得其遗法，故所画花鸟动植物等，任笔宣染，皆具足生意，脱尽院画习气。名高当代，时人以之比拟恽寿平。 内容简介（中文）： 王武（西元一六三二－一六九O年），江苏长洲人。字勤中，号忘庵，自称雪颠道人。明代名士王鏊六世孙，家富收藏，精鑑赏，于宋元明诸大家名蹟，往往心摹手追，务得其遗法，故所画花鸟动植物等，任笔渲染，皆具足生意，脱尽院画习气。此幅带有明代水墨花卉大家陈淳遗风，极其清雅。 内容简介（中文）： 王武（西元一六三二至一六九○年），江苏长洲人。字勤中，号忘庵，自称雪颠道人。精鑑赏，见宋元明名蹟，往往心摹手追，务得其遗法，故所绘花卉禽鸟，皆笔墨清雅而生意俱足，脱尽院画习气，时人以之比拟恽寿平。本幅作于康熙乙丑（一六八五年），时王武五十四岁。写仲夏湖滨景致，鸜鹆栖于杨柳枝梢，湖石周遭，另有榴花、蜀葵、萱花相傍丛生，掩映成趣。(20121016) 内容简介（英文）： Wang Wu (style name Qinzhong, sobriquet Wang’an, self-styled name Xuedian daoren), a native of Changzhou, Jiangsu, was skilled in connoisseurship. When he saw a masterpiece of the Song, Yuan, or Ming dynasty, he would commit it to memory, thus acquiring its methods. This is why his bird-and-flower paintings all have a combination of pure elegance in brush and ink along with liveliness, avoiding the pitfalls of the academic style. People at the time compared him to the contemporary master Yun Shouping. This work, done in 1685 at the Chinese age of 54, depicts a lakeshore scene in summer with a mynah perched on a willow branch. The lake rock is surrounded and complemented by growths of pomegranate, hollyhock, and lily blossoms.(20121016) 内容简介（英文）： Wang Wu, a native of Ch’ang-chou (Soochow) in Kiangsu, went by the style name Ch’in-chung, the sobriquet Wang-an, and the self-styled name Hsüeh-tien tao-jen. The sixth generation descendant of the famous Ming scholar Wang Ao, his family possessed a large art collection. With a keen eye, he often focused on copying authentic works of masters from the Sung, Yüan, and Ming dynasties and acquired their methods. That is why the flora and fauna of his paintings are so lifelike in both brushwork and color washes, making them far removed from the academy painting style. This work retains traces of the monochrome ink style of the flower painting master Ch’en Ch’un (1483-1544) of the Ming dynasty, making it quite pure and elegant. 内容简介（英文）： Wang Wu (style name Ch’in-chung; sobriquet Wang-an) was a native of Ch’ang-chou, Kiangsu. He was a fine connoisseur and possessed a rich collection of art. Wang would often copy the works of the great masters of the Sung, Yűan, and Ming dynasties, gaining mastery of their techniques. Thus, when he painted flowers, birds, animals, and figures, his brush spontaneously infused the subject with great vitality and freed him from the cliches of the academic style. He was widely known by contemporaries and was often compared with Yűn Shou-p’ing.