书体:
色彩:
水墨装裱形式:
轴创作时间:
清圣祖康熙十七年（1678）文字类型:
质地:
本幅纸释文:
印记资料:
鑑藏宝玺：乾隆御览之宝题跋资料:
题跋类别：作者款识；作者：王翬；题跋位置：本幅；款识：戊午（西元一六七八年）花朝。写方壶外史奇峰耸秀。石谷王翬。；书体：行书；全文： 印记：王翬之印主题:
主要主题：山水 ；其他主题：山水江河、湖海江河；其他主题：花草芦苇 ；其他主题：船渔船 ；其他主题：人物渔夫、船夫 ；其他主题：建筑亭 ；其他主题：树木 ；其他主题：建筑房舍 ；其他主题：建筑台阁 ；其他主题：山水瀑布技法:
写意 皴法 皴法披麻皴皴法米点皴人物衣纹描法(减笔)参考资料:
收藏着录： 石渠宝笈续编（养心殿），第二册，页1156 收藏着录： 故宫书画录（卷五），第三册，页517-518 收藏着录： 故宫书画图录，第十册，页119-120 内容简介（中文）： 王翬（西元一六三二－一七一七年），常熟人。字石谷，号耕烟散人、清晖主人、乌目山人、剑门樵客。山水得王时敏指授，为清四大家之一。此画成于戊午花朝，作者四十七岁。溪坞之间，一峰特起，其下平林古寺，溪薮渔舟。全幅用水甚丰，画面一片湿润，笔亦极为生动，是石谷画中，最饶天趣者。是年二月廿一日，石谷与武进唐于光同在苏州，去花朝盖不足十日也。 内容简介（英文）： Wang Hui was a native of Ch’ang-shu in Kiangsu province. He was already a capable painter in his youth when he met Wang Chien and Wang Shih-min who became his teachers. In addition to providing him with through instruction in painting, they also took him to view and copy the works of the ancient masters of many great collections. In this way, he was able to absorb the brush techniques of both the past and the present masters. Because Wang Hui was able to unite the best qualities of the Northern and Southern Schools of painting and because of his consummate skill, he became the greatest master of brush technique of the Ch’ing dynasty.This was painted on March 7th, 1678, when Wang Hui was in his 47th year. A single peak points sharply upwards out of a river landscape. Below lie woods and ancient temples, while an angle’s boat drifts on the water. The artist has used a very wet brush, resulting in a rich and moist appearance. The brush strokes are full of life and the work is exceptional in Wang Hui’s oeuvre for its easy and natural quality.
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