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清圣祖康熙七年(1668)文字类型:
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鑑藏宝玺:乾隆御览之宝题跋资料:
题跋类别:作者款识;作者:王翬;题跋位置:本幅;款识:石磴盘纡山木稠。林泉如此足清幽。若为飞蹻千峰外。卜筑诛茆最上头。戊申(西元一六六八年)十月四日。王翬戏墨。;书体:行书;全文: 印记:王翬私印主题:
主要主题:山水 ;其他主题:山水江河、湖海江河;其他主题:船 ;其他主题:树木 ;其他主题:山水石磴、栈道石磴;其他主题:建筑寺庙技法:
写意 皴法 苔点参考资料:
收藏着录: 石渠宝笈续编(御书房),第四册,页2097 收藏着录: 故宫书画录(卷五),第三册,页518 收藏着录: 故宫书画图录,第十册,109-110 内容简介(中文): 王翬(西元一六三二至一七一七年),字石谷,号耕烟散人、乌目山人、剑门樵客、清晖主人。少即善画,继得王鑑、王时敏指授,并随之阅览各地珍藏,借机临摹名蹟,因能笔参古今,貌含南北。画技之精熟为清代第一。奇岩危崖,壁立江上。山石的皴纹,有的如范宽之「雨点皴」,有的如「斧劈皴」,再加上枯墨的皴擦,更具有方硬厚重之意。 内容简介(英文): Wang Hui, tzu (style name) Shih-ku, hao(sobriquet) Keng-yen san-jen, Wu-mu shan-jen and Chien-men ch’iao-k’o, was a native of Ch’ang-shu in Kiangsu province. He was already a capable painter in his youth when he met Wang Chien and Wang Shih-min, the two foremost masters of the “orthodox” school of the early Ch’ing period, who later became his teachers. In addition to thoroughly instructing him, they also made it possible for him to view all the great collections of paintings. He took advantage of these opportunities and studied the painting skills of the ancient masters. Consequently he could visit both the past and present with his brush; was able to unite the forms of the Northern and Southern schools of paintings; and his skill became the greatest of the Ch’ing period.A rocky mountain abruptly rises over a river. Axe-cut ts’un, Fan Kuan’s rain-drop ts’un and dense ink lines model its surface successfully emphasizing the strength, massiveness and endurance of nature.