书体:
色彩:
水墨装裱形式:
轴创作时间:
清圣祖康熙三十三年（1694）文字类型:
质地:
本幅纸诗塘纸释文:
印记资料:
鑑藏宝玺：乾隆御览之宝题跋资料:
题跋类别：作者款识；作者：王翬；题跋位置：本幅；款识：倣黄鹤山樵夏山读书图。甲戌（西元一六九四年）二月既望。请正子翁先生。耕烟散人王翬。；书体：行楷书；全文： 印记：王翬印、虞山石谷主题:
主要主题：山水夏景 ；次要主题：山水溪涧、湍泉 ；其他主题：山水山径 ；其他主题：建筑房舍 ；其他主题：树木竹 ；其他主题：树木松 ；其他主题：人物仕女 ；其他主题：建筑篱笆、围墙围墙；其他主题：建筑寺庙 ；其他主题：建筑茅草屋 ；其他主题：山水瀑布 ；其他主题：山水石磴、栈道石磴；其他主题：人物高士（士人、隐士）士人；其他主题：人物侍从（侍女、童仆） ；其他主题：花草 草；其他主题：树木 ；其他主题：器用 席．蒲扇技法:
写意 皴法披麻皴人物衣纹描法(减笔) 苔点参考资料:
收藏着录： 石渠宝笈续编（养心殿），第二册，页1156 收藏着录： 故宫书画录（卷五），第三册，页527 收藏着录： 故宫书画图录，第十册，页137-138 内容简介（中文）： 王翬（西元一六三二至－一七一七年），字石谷，号耕烟散人、乌目山人、剑门樵客、清晖主人。少即善画，继得王鑑、王时敏指授，并随之阅览各地珍藏，借机揣摩名蹟，因能笔参古今，貌合南北。画技之精熟为清代第一。飞泉山涧，下汇于溪。溪涧之滨，作村居两叠，背山石磴逶迤，上登高岭。岭山松林古寺，聚于两山之间。山石作小牛毛皴，意在王蒙。林木屋宇，是石谷本色。涧水缘坡而下，中多碎石，奔湍转壑，髣髴有声，是此中胜处。康熙甲戍（西元一六九四年），作者六十三岁。 内容简介（英文）： Wang Hui (tzu Shih-ku, hao Keng-yen san-jen, Wu-mu shan-jen, Chien-men ch’iao-k’o, Ch’ing hui chu-jen, and others) was a native of Ch’ang-shu in Kiangsu province. He was already a very capable painter in his youth when he met Wang Shih-min and Wang Chien-the two foremost masters of the “orthodox” school of the early Ch’ing period-who became his teachers. Because of his knowledge of the history of painting and because of his very considerable skill, he was to become the greatest “orthodox’’ master of the Ch’ing period.“After Wang Meng’s ‘Reading in the Summer Mountains’ ” was painted in 1694 when Wang Hui was in his 63rd year. Mountain streams and waterfalls converge into a river, above whose banks cluster two mountain dwellings. Over them hang rocky cliffs, and in the heights there appears a temple in a pine forest, closed in by large mountains. The strokes employed in texturing the mountain surfaces-known as small “ox-hair” strokes’’-were derived from the works of the 14th century master Wang Meng. The trees and houses are typical of Wang Hui’s style. He painted the waters streaming down into a valley where a furious torrent churns through tumbled boulders, the centre of this fascinating landscape.
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