书体:

色彩:

水墨

装裱形式:

轴

创作时间:

清圣祖康熙十七年（1678）

文字类型:

质地:

本幅纸

释文:

印记资料:

鑑藏宝玺：乾隆御览之宝
鑑藏宝玺：乾隆鑑赏
鑑藏宝玺：石渠宝笈
鑑藏宝玺：三希堂精鑑玺
鑑藏宝玺：宜子孙
鑑藏宝玺：石渠定鑑
鑑藏宝玺：宝笈重编
鑑藏宝玺：养心殿鑑藏宝
鑑藏宝玺：嘉庆御览之宝
鑑藏宝玺：宣统御览之宝
收传印记：唐宇昭印
收传印记：安仪周家珍藏

题跋资料:

题跋类别：作者款识；作者：恽寿平；题跋位置：本幅；款识：故山何处最关心。屋外遥岑入望深。却忆浪游江海上。漫教猿鹤守空林。烟树重遮望里迷。青山层叠路高低。依稀记得曾行处。不是苕谿是建溪。雨后深林生白烟。山中处处有流泉。因寻陆羽幽栖地。听遍钟声思惘然。树点平皋翠陆离。群峰宛转水涟漪。高情不让陶元亮。落日临流自赋诗。戊午（西元一六七八年）长夏。拟董巨两家法。云溪外史。；书体：行书；全文： 印记：恽正叔

主题:

主要主题：山水  ；其他主题：山水江河、湖海江河；其他主题：山水溪涧、湍泉 ；其他主题：树木杨柳 ；其他主题：树木  ；其他主题：建筑房舍 ；其他主题：建筑篱笆、围墙篱笆；其他主题：建筑水榭 ；其他主题：人物高士（士人、隐士） ；其他主题：树木寒林．枯树枯树

技法:

写意 皴法 皴法披麻皴人物衣纹描法(减笔) 苔点 

参考资料:

收藏着录： 石渠宝笈续编（养心殿），第二册，页1146 收藏着录： 故宫书画录（卷五），第三册，页532 收藏着录： 故宫书画图录，第十册，页191-192 内容简介（中文）： 恽寿平（西元一六三三—一六九○年），江苏武进人。自幼天资聪颖，八岁就能作诗，又擅长画花卉和山水，被讚誉为清初六大家之一。 恽寿平晚期的作品，虽然多半以花卉写生为主，但是这幅四十六岁所画的山水，运用秃笔淡墨，描写大江两岸的景色，气势沉着稳重，不仅深得自然山川的神韵，搭配上长篇的题跋，尤其凸显了画家深厚的文学素养。 内容简介（中文）： 恽寿平（1633－1690），江苏武进人。初名格，字寿平，号南田，后以字行。自幼天资聪颖，八岁能诗，又擅画花卉、山水，与王时敏、王鑑、王翬、王原祁和吴历，并称为「清初六大家」。 恽寿平晚期的作品，虽然多半以花卉写生为主，但这幅四十六岁所画的山水，运用秃笔淡墨，描写大江两岸的景色，气势沉着稳重，不仅深得自然山川的神韵，搭配上长篇的题跋，尤其凸显了画家深厚的文学素养。(20110913) 内容简介（英文）： Yun Shouping (early name Ge, style name Shouping [by which he later went], sobriquet Nantian) was a native of Wujin in Jiangsu. Gifted in the arts even as a youth, he reportedly was able to compose poetry by the Chinese age of eight. He also excelled at painting flowers and landscapes, and he was praised along with Wang Shimin, Wang Jian, Wang Hui, Wang Yuanqi, and Wu Li as one of the Six Masters of the Early Qing.Yun Shouping’s late works were mostly flowers in the “sketching-from-life” manner. This work from the Chinese age of 46, however, is a landscape. The brushwork was done with a blunt brush to render scenery along the banks of a large river. The atmosphere appears solemn and imposing. The artist not only captured the natural harmony of the river and mountains, but he also complemented it with a long essay at the top of the work. This painting thus particularly reveals the artist’s literary talents as well.(20110913) 内容简介（英文）： Yün Shou-p’ing, a native of Kiangsu province, was gifted in the arts even as a youth; he reportedly composed poetry by the age of 7. He excelled at painting flowers and landscapes, and he was praised as one of the Six Masters of the Early Ch’ing. Yün Shou-p’ing’s late works were mostly flowers in the “sketching-from-life” manner. This work done at the age of 45, however, is a landscape. The brushwork was done with a blunt brush to render scenery along the banks of a stretch of water. The atmosphere appears solemn and imposing. The artist not only captured the natural harmony of the water and mountains, but he also added a long essay at the top of the work as a complement. This work thus reveals his gift at writing as well. 网页展示说明 恽寿平（1633－1690）是清初六家中，唯一以花卉画闻名于画坛的画家。恽寿平原名格，字寿平，号南田。父亲命他以字为名，因此后来也都用「寿平」来题画落款。恽寿平小时候就跟随伯父恽向（1586－1656）学画，恽向以元朝的大画家黄公望为学习的对象，画风沉雄而疏逸。受到恽向及清初摹古风气的影响，恽寿平喜爱临摹黄公望、倪瓒等大画家画作，因此他的画构图简单，水墨淋漓畅快，别有一种苍茫秀润之感。 「画山水」是恽寿平三十六岁时所画，他在自题中提到，这是仿五代董源、巨然的作品，利用董源、巨然及元代文人画家所喜爱的披麻皴法来画远山及坡岸，因此山头显得浑圆苍润，再加上苔点及矾石，一片秀润青翠的远山就在眼前，用笔快速泼辣，墨色变化丰富，是恽寿平山水画中的精品。