书体:

色彩:

设色

装裱形式:

轴

创作时间:

文字类型:

质地:

本幅纸

释文:

印记资料:

鑑藏宝玺：嘉庆御览之宝
鑑藏宝玺：嘉庆鑑赏
鑑藏宝玺：石渠宝笈
鑑藏宝玺：三希堂精鑑玺
鑑藏宝玺：宜子孙
鑑藏宝玺：宝笈三编
鑑藏宝玺：宣统御览之宝

题跋资料:

题跋类别：作者款识；作者：恽寿平；题跋位置：本幅；款识：玉露华池洗翠茎。含风云外起秋声。何时得入伶伦手。截取瑶筩作凤鸣。白云溪寿平。；书体：行书；全文： 印记：寄岳云、寿平印、正叔

主题:

主要主题：树木竹 ；次要主题：山水奇石 ；次要主题：树木寒林．枯树枯树；其他主题：花草萱花 ；其他主题：花草 草

技法:

写意 没骨 皴法披麻皴皴法折带皴苔点 

参考资料:

收藏着录： 石渠宝笈三编（延春阁），第五册，页2200 收藏着录： 故宫书画录（卷五），第三册，页534 收藏着录： 故宫书画图录，第十册，页199-200 内容简介（中文）： 恽寿平（西元一六三三－一六九０年），江苏武进人。初名格，字寿平，后以字行。又字正为，号南田。画花卉，以北宋徐崇嗣（西元十世纪末）的没骨法为依归，别开生面，有常州派之称。恽寿平的没骨花卉，往往用色明丽而无俗艳的感觉，反觉清新宜人。本幅以青色画纤纤细竹，墨色画枯枝与石，是别致的搭配。所呈现出的秀雅閒静气氛，令人心平气和。 内容简介（中文）： 恽寿平（西元一六三三－一六九○年），江苏武进人。初名格，字寿平，后以字行，又字正叔，号南田。诗文为毗陵六逸之首，画与清初四王、吴历相埒，合称四王吴恽。　恽南田画以清新俊逸自成一家。设色于明丽中尤具出尘绝伦之妙，更非当世画家所能比拟。此画与乔柯修竹图相较，构景閒静，使人心平气和。 内容简介（英文）： A native of Kiangsu, Yün Shou-p’ing was the leading essayist and poet of the Six Gentleman of P’i-ling. Considered one of the Six Masters of Early Ch’ing, he is ranked as a leading painter of his age. Originally specializing in landscapes, he felt he could not equal Wang Hui and consequently focused on flowers and plants. Incorporating the “boneless” wash method in his repertoire and creating a new style, he became a leader in the genre. Yün Shou-p’ing’s works are characterized by simplicity and freshness. His application of colors is so distinguished that it ranks far above that of his contemporaries. This painting of bamboo and rock is clear and simple in composition, which conveys a sense of peace and harmony to the viewer. 内容简介（英文）： Yün Shou-p'ing, a native of Wu-chin in Kiangsu Province, followed the “boneless” (wash) manner of the Northern Sung artist Hsü Ch'ung-ssu (fl. late 10th c.) in painting flowers. His innovations led to the formation of the Ch'ang-chou School.Yün Shou-p'ing's flower paintings in the “boneless” manner often employed colors that were bright but not gaudy, yielding a feeling of purity and freshness. This work shows the slender bamboo in bluish-green along with a withered tree and rock in monochrome ink, creating for an interesting assembly along with the delicate flowers at the bottom. The elegant and leisurely atmosphere revealed here suggests to the viewer a sense of peace and harmony.