书体:

色彩:

浅设色

装裱形式:

轴

创作时间:

清圣祖康熙三十四年（1695）

文字类型:

质地:

本幅纸

释文:

印记资料:

鑑藏宝玺：乾隆御览之宝
鑑藏宝玺：乾隆鑑赏
鑑藏宝玺：石渠宝笈
鑑藏宝玺：三希堂精鑑玺
鑑藏宝玺：宜子孙
鑑藏宝玺：石渠定鑑
鑑藏宝玺：宝笈重编
鑑藏宝玺：重华宫鑑藏宝
鑑藏宝玺：嘉庆御览之宝
鑑藏宝玺：宣统御览之宝

题跋资料:

题跋类别：作者款识；作者：王原祁；题跋位置：本幅；款识：感慨风尘内。寄怀常读诗。愿言追正始。风雅兼骚词。学古媿鲁钝。面土啬何所之。以玆通六法。略有会心时。吾宗有树百。磊落多奇姿。发响吐钟吕。斑藓腾云螭。阳春生绚䌽。爽气动秋飔。负才不得意。牢落同丘为。扁舟来北访。执手话别离。高山流水曲。忽起烟峦思。四家兼董巨。令我次第窥。官閒试盘礡。惨澹心神驰。画理合禅定。南宗衣钵贻。髻珠各自宝。丰骨秉天彝。师承近茫昧。遂令识者希。舍学务从人。皴染徒尔疲。氛霾尽一扫。幷剪与哀梨。置之屏障间。咫尺万里奇。论画耻形似。坡公意岂私。层楼拟一搆。写出胸中癡。挥洒答君咏。君今且勿嗤。乙亥（西元一六九五年）夏日。树百弟以诗促画。馀为倣大癡笔。幷和元韵。麓台祁。；书体：行楷书；全文： 印记：古期斋、原祁之印、麓台、对此融心神知君重毫素

主题:

主要主题：山水  ；其他主题：山水山径 ；其他主题：树木松 ；其他主题：树木寒林．枯树枯树；其他主题：建筑桥 ；其他主题：建筑亭 ；其他主题：建筑房舍 ；其他主题：山水溪涧、湍泉 ；其他主题：山水江河、湖海 ；其他主题：树木  

技法:

写意 皴法披麻皴苔点 

参考资料:

收藏着录： 石渠宝笈续编（重华宫），第三册，页1736 收藏着录： 故宫书画录（卷五），第三册，页543 收藏着录： 故宫书画图录，第十册，页261-262 内容简介（中文）： 王原祁（西元一六四二－一七一五年），江苏太仓人。字茂京，号麓台，一号石师道人。时敏孙。康熙九年进士，官至户部侍郎。善画，承董其昌及时敏之学，肆力山水，领袖群伦，影响后世甚钜。叠嶂层山，构景繁而不乱；分流曲涧，布局细而不碎。盖丘陵野水，虽平衍错杂，而压顶一山，延绵雄伟之势，足以镇之。下角一坡数树，屋舍掩映于其间，与主山若断若续，遂使全幅空灵。虚实相发，真善于结构者也。 内容简介（中文）： 叠嶂层山。构景繁而不乱。分流曲涧。布局细而不碎。盖丘陵野水。虽平衍错杂。而压顶一山。延绵雄伟之势足以镇之。下角一坡数树。屋舍掩映于其间。与主山若断若续。遂使全幅空灵。虚实相发。真善于结构者也。作时五十四岁。 内容简介（英文）： The composition of mountain peaks is complex but not confused. Though the various details of the composition are finely painted, they are not fragmented, because the mountain peaks act as stabilizing elements. The tree-shaded cottages in the lower corner and the main mountain peak complement one another. 内容简介（英文）： Wang Yűan-ch’i was from T’ai-ts’ang in Kiangsu. His style name was Mao-ching, and his sobriquets were Lu-t’ai and Shih-shih tao-jen. He was a grandson of the artist Wang Shih-min. In 1671 he passed the chih-shih examination. Basing his painting style on those Tung Ch’i-ch’ang (1555-1636) and his father, he was the leading artist of his day and greatly influenced later generations of painters.In this work a mountain range forms a dense but orderly framework. A wilderness stream flows irregularly through the craggy terrain, and the majestic peaks compress the composition with an everlasting, stately power. In the lower corner, buildings concealed by trees top a hillock. The intermingling of light and shadow, contrasting with the central mountain, increase the feeling of spaciousness. Abstract and concrete elements together form a forceful composition.