书体:

色彩:

水墨

装裱形式:

轴

创作时间:

文字类型:

质地:

本幅纸

释文:

印记资料:

鑑藏宝玺：乾隆御览之宝
鑑藏宝玺：乾隆鑑赏
鑑藏宝玺：石渠宝笈
鑑藏宝玺：三希堂精鑑玺
鑑藏宝玺：宜子孙
鑑藏宝玺：石渠定鑑
鑑藏宝玺：宝笈重编
鑑藏宝玺：重华宫鑑藏宝
鑑藏宝玺：嘉庆御览之宝
鑑藏宝玺：宣统御览之宝

题跋资料:

题跋类别：作者款识；作者：黄鼎；题跋位置：本幅；款识：康熙癸巳（西元一七一三年）秋七月。于砚华轩。独往客鼎作。；书体：行书；全文： 印记：黄鼎之印、尊古、从吾所好

主题:

主要主题：山水  ；次要主题：建筑桥 ；其他主题：树木寒林．枯树枯树；其他主题：山水溪涧、湍泉溪涧；其他主题：树木  

技法:

写意 皴法披麻皴苔点 

参考资料:

收藏着录： 石渠宝笈续编（重华宫），第三册，页1740 收藏着录： 故宫书画录（卷五），第三册，页549 收藏着录： 故宫书画图录，第十一册，页7-8 内容简介（中文）： 黄鼎（西元一六六○－一七三○年），江苏常熟人。字尊古，号旷亭。初画山水时，跟丘园学习，后来以王翬、王原祁为师。 仄磵上危桥横跨，杂树相依偎着，远处高峰突起。笔墨苍茫中，呈现出一片宁静。黄鼎虽然师法二王，但能独闢蹊径，因生平好游览，杖履所到，山川之状一一寄之于画。评者谓：「王翬看尽古今名画，下笔有成法。鼎看尽九州山水，下笔有生机。」并称大家。 内容简介（英文）： Bridge Across the Ravine among CopseHuang Ting (1660-1730)Ch’ing Dynasty Huang Ting, with style name Tsun-ku and sobriquet K’uang-t’ing, was a native of Ch’ang-shu in Kiangsu province. He first learned landscape painting from Ch’iu Yüan and later from Wang Hui and Wang Yüan-ch’i, two of the six leading masters of the Ch’ing dynasty. In the foreground a small wooden bridge spans across a ravine, both edges of which are sparsely decorated with tall trees of assorted kinds. In the background tower distant mountains. His brushwork in hazy inking creates a peaceful mood. Though he learned from the two Wangs, Huang Ting was able to develop a style of his own. He loved and would reconstruct in his landscapes those beautiful mountains and rivers seen on the way. A critic has marked that Wang Hui exhaustively viewed the works by the ancient and contemporary masters so that he could paint with various methods, while Huang Ting observed the mountains and rivers of the whole country so that he could capture in his work the lively spirit of landscape. Each is indeed a master in his own way.