书体:
色彩:
水墨装裱形式:
轴创作时间:
文字类型:
质地:
本幅纸释文:
印记资料:
鑑藏宝玺：乾隆御览之宝题跋资料:
题跋类别：作者款识；作者：陈书；题跋位置：本幅；款识：山静如太古。日长如小年。际此昇平无事。结庐最深。读书听泉。非人境喧豗所能扰其清寐也。南楼老人陈书仿。；书体：行书；全文： 印记：陈、书主题:
主要主题：山水 ；其他主题：树木松 ；其他主题：人物百姓 ；其他主题：人物高士（士人、隐士） ；其他主题：建筑台阁 ；其他主题：建筑房舍 ；其他主题：山水江河、湖海江河；其他主题：树木技法:
写意 人物衣纹描法(减笔) 苔点参考资料:
收藏着录： 石渠宝笈续编（干清宫），第二册，页603 收藏着录： 故宫书画录（卷五），第三册，页557 收藏着录： 故宫书画图录，第十一册，页201-202 内容简介（中文）： 陈书（西元一六六０至一七三六年），女，秀水人，号上元弟子、南楼老人。适海盐钱纶光，以长子陈群贵，诰封太淑人。山水、人物、花鸟、草虫，无不擅长。 画中长松蔽天，山间房舍重重，有人持杖，坐对閒话。本幅写夏景，为求夏日草木蓊郁，于山峦草木之描绘，不辞繁复之皴法线条，墨色亦不避浓厚，其画法近师王翬，远宗王蒙，山林幽居，尘嚣不染，本为隐遁所宗，画中境足以当之。 内容简介（英文）： Quiet Mountain Residence in SummerCh’en Shu (1660-1736)Ch’ing Dynasty The woman artist Ch’en shu (sobriquet Shang-yüan ti-tzu and Nan-lou lao-jen) was from Hsiu-shui. She married Ch’ien Lun-kuang, and because of their eldest son Ch’en Chün’s high official position, she was conferred the title Tai-shu-jen (“Noble Lady”). Ch’en Shu specialized in paintings of figures, flowers, birds, grasses and insects, all of which she executed in an outstanding manner. Ch’en has depicted tall pines reaching high and several modest homes scattered among the mountains. One gentleman stands leaning on his cane under trees in the foreground, and others are seated talking in one of the cottages. The season represented is summer, and in order to achieve the effect of luxuriant summer growth, Ch’en consistently utilized x-shaped strokes for an intricate, textured effect in the description of the vegetation. The inks she chose to use were very dense and heavy, to further enhance the quality of exuberant rank growth. In her brushwork, Ch’en Shu modeled herself after Wang Hui of the early Ch’ing but also went back further to the style of Wang Meng of the Yüan dynasty. The ever-coveted atmosphere attained by living in seclusion among mountain and forest, untainted by the dusty, noisy vulgarities of this world, is conveyed in this work.
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