书体:

色彩:

水墨

装裱形式:

轴

创作时间:

清世宗雍正十年（1732）

文字类型:

质地:

本幅纸

释文:

印记资料:

鑑藏宝玺：嘉庆御览之宝
鑑藏宝玺：嘉庆鑑赏
鑑藏宝玺：石渠宝笈
鑑藏宝玺：三希堂精鑑玺
鑑藏宝玺：宜子孙
鑑藏宝玺：宝笈三编
鑑藏宝玺：宣统御览之宝

题跋资料:

题跋类别：作者款识；作者：张庚；题跋位置：本幅；款识：孟坚兄酷爱馀山水。觅佳纸索画。三阅月矣。而兴会不至也（也点去）。今日庭斋阒其无人。心迹双静。忽忆黄鹤山人法而有会。遂乘兴写此。庶几不甚相远也。即正之孟兄。檇李弟张庚。时雍正壬子（西元一七三二年）闰午。；书体：草书；全文： 印记：石泾、张庚印、江东布衣

主题:

主要主题：山水  ；次要主题：树木松 ；其他主题：建筑茅草屋 ；其他主题：山水瀑布 ；其他主题：人物高士（士人、隐士）一人；其他主题：山水江河、湖海江河

技法:

写意 皴法披麻皴人物衣纹描法(减笔) 苔点 

参考资料:

收藏着录： 石渠宝笈三编（延春阁），第五册，页2258 收藏着录： 故宫书画录（卷五），第三册，页560 收藏着录： 故宫书画图录，第十一册，页211-212 内容简介（中文）： 张庚，原名焘，字溥三，后改今名，再改字浦山。生在圣祖康熙二十四（公元一六八五）年，死在高宗乾隆二十五（西元一七六０）年，浙江秀水人。早年即勤奋于诗和古文，复用功于画和书法，因此精通画理，着作有浦山论画，国朝画征录等书。 他的山水画是学自同乡陈书，而且尽得陈画神貌，陈书学的是元王蒙，所以，他的画中也是一派天真烂漫的王蒙景致，不过笔墨较为疎朗恣肆，意趣全在有法无法之间。可惜他的作品流传后世极少。本院收藏谨此一幅。 内容简介（英文）： Landscape after Wang MengChang KengCh’ing dynasty Originally his personal name was T’ao and his style name or tzu was P’u-san. Later he changed his name to Keng and his tzu to P’u-shan. He was born in 1685, the twenty-fourth year of the K’ang-hsi period; died in 1760, the twenty-fifth year of the Ch’ien-lung period; and was a native of Hsui-shui, Chekiang. In his youth he diligently studied poetry and classic literature, as well as painting and calligraphy. Thus he was well-versed in the principles of painting and his writings include the P’u-shan lun-hua and the Kuo-ch’ao-hua-cheng lu. In landscape painting he followed the lady painter Ch’en Shu, who was also a native of Hsui-shui, and was able to attain the spirit and appearance of her works. Ch’en Shu studied the works of the Yüan dynasty master Wang Meng, and among Chang Keng’s works are also to be found landscapes in the style of Wang Meng which are honest and without affectation. His use of the brush was fairly clear and without restraint, being somewhere between method and non-method. It is unfortunate that so few of his works have been preserved. Our collection possesses only this one scroll.