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题跋类别:作者款识;作者:邹一桂;题跋位置:本幅;款识:臣邹一桂恭写;书体:楷书;全文: 印记:邹、一桂主题:
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收藏着录: 石渠宝笈续编(御书房),第四册,页2192 收藏着录: 故宫书画录(卷五),第三册,页563 收藏着录: 故宫书画图录,第十一册,页237-238 内容简介(中文): 邹一桂(西元一六八六-一七七二年),江苏无锡人。字原褒,号小山,又号让卿,晚号二知老人。雍正五年进士,历官至礼部侍郎,加尚书衔。擅长花卉画外,又精通画理,着有小山画谱。 他的花卉,原学恽寿平没骨画一派,但作品比较恽画为工整精饰,这是因为多属宫廷应制而画,作画态度,循规蹈矩,不敢稍意逾越,因此,用笔工细,着色秾艳,特别具有一种精美富丽的气息。 内容简介(英文): Tsou I-kuei was style-named Yüan-pao; his sobriquets were Little Mountain, Jang-ch’ing, and in his later years, Old Man Erh-chih. He was a native of Wu-hsi, Kiangsu. In 1727 he received his chin-shih degree; he served as the Vice-President of the Ministry of Rites and was later given the honorary title of president. In addition to excelling at flower painting, he was well versed in the principles of painting and was the author of the Hsiao-shan hua-p’u, a book on painting theory. In flower painting he began by following the “boneless,” or unoutlined, method of the painter Yün Shou-p’ing, but Tsou’s works were neater and more embellished. This is because most were painted at the request of the emperor, and Tsou therefore had to observe all of the contemporary painting rules and regulations and did not dare overstep his position in even a small way. Thus he used the brush very precisely and applied color sumptuously such that his works have an air of lavish beauty.