书体:

色彩:

设色,青绿

装裱形式:

轴

创作时间:

文字类型:

质地:

本幅绢

释文:

印记资料:

鑑藏宝玺：嘉庆御览之宝
鑑藏宝玺：嘉庆鑑赏
鑑藏宝玺：石渠宝笈
鑑藏宝玺：三希堂精鑑玺
鑑藏宝玺：宜子孙
鑑藏宝玺：宝笈三编
鑑藏宝玺：宣统御览之宝
收传印记：程得桂印
收传印记：秋林
收传印记：素臣

题跋资料:

题跋类别：作者款识；作者：张成龙；题跋位置：本幅；款识：仿僧繇将军笔。张成龙。；书体：隶书；全文： 印记：震之生、（一印漫漶）

主题:

主要主题：山水秋景 ；次要主题：建筑茅草屋 ；其他主题：器用家俱（屏风）窗帘；其他主题：山水云 ；其他主题：树木  ；其他主题：山水江河、湖海江河；其他主题：人物高士（士人、隐士）士人

技法:

写意 皴法雨点皴人物衣纹描法(减笔) 苔点 皴法 

参考资料:

收藏着录： 石渠宝笈三编（延春阁），第五册，页2394 收藏着录： 故宫书画录（卷五），第三册，页569 收藏着录： 故宫书画图录，第十二册，页311-312 内容简介（中文）： 张成龙，字白云，河南开封人，活动于晚明清初，善山水，好临摹古画，细密精工。兼工白描人物。 青绿设色。一人凭栏凝望，绕屋是红叶青山，远峰直凌宵汉。画中山石林木，大都以颜色迳施于绢素，这种画法，一般称为没骨山水，相传出于唐代张僧繇。故款题倣张僧繇笔。 内容简介（英文）： Landscape after Chang Seng-yauChang Cheng-lung (fl. mid-17th century)Ch’ing Dynasty A man leaning against the paling gazes pensively into the distance. The building is surrounded by red trees and by green mountains that tower into the distance. The natural elements in this picture are rendered in the ‘boneless’ method of landscape painting in which color washes are directly applied to the silk without preliminary outlines. This painting derives its title from the fact that this method is said to have been developed by Chang Seng-yau of the T’ang dynasty. Chang Cheng-lung (style-name Pai-yüu) was from K’ai-feng, Honan. He excelled at landscapes and liked to make meticulously detailed copies of old paintings. He is also noted for his outline drawings of human figures.