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清圣祖康熙六十年(1721)文字类型:
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本幅纸释文:
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鑑藏宝玺:嘉庆御览之宝题跋资料:
题跋类别:作者款识;作者:唐岱;题跋位置:本幅;款识:康熙六十年(西元一七二一年)二月。静巖唐岱。为会川高士归隐作。;书体:行书;全文: 印记:毓东名岱、静巖主题:
主要主题:山水秋景 ;次要主题:山水石磴、栈道石磴;其他主题:山水瀑布 ;其他主题:树木松 ;其他主题:建筑房舍 ;其他主题:建筑篱笆、围墙墙;其他主题:树木枫树.槭树枫树;其他主题:树木 ;其他主题:山水江河、湖海江河技法:
写意 皴法披麻皴苔点 皴法参考资料:
收藏着录: 石渠宝笈三编(延春阁),第五册,页2402 收藏着录: 故宫书画录(卷五),第三册,页570 收藏着录: 故宫书画图录,第十二册,页349-350 内容简介(中文): 唐岱(西元一六七三-一七五二年尚在),满州人。字毓东,号静巖,又号知生、默庄。画山水师法王原祁,官内务府总管,以画祇候内廷,康熙赐「画状元」。 本幅画幽巖架屋,秋色满林,石磴盘空,泉流萦抱。用笔细致,山石多用干笔,带皴带擦,特重山势向背。款署:「康熙六十二年(一七二0)二月静巖唐岱」,故知此画乃其四十八岁之作。 内容简介(英文): Returning to the HermitageT’ang Tai (1637-after 1752)Ch’ing Dynasty T’ang Tai was a native Manchurian. He served as a court painter, modeling his landscapes after the style of Wang Yüan-ch’i. During the K’ang-hsi reign (1662-1722) he was awarded the hua chuang-yüan, distinction for his achievements as a painter. Buildings nestle in secluded valleys and autumn colors fill the woods. Stone steps lead up mountain sides bounded by winding streams. The brush was applied delicately. Rocks and mountain faces are described with dry brushstrokes that impart varying textures. The artist particularly paid attention to the movements of the mountains’ configural forces. This painting is dated 1720,when the artist was forty-seven years old.