书体:

色彩:

水墨

装裱形式:

轴

创作时间:

清圣祖康熙三十年（1691）

文字类型:

质地:

本幅纸

释文:

印记资料:

鑑藏宝玺：乾隆御览之宝
鑑藏宝玺：乾隆鑑赏
鑑藏宝玺：石渠宝笈
鑑藏宝玺：三希堂精鑑玺
鑑藏宝玺：宜子孙
鑑藏宝玺：养心殿鑑藏宝
鑑藏宝玺：嘉庆御览之宝
鑑藏宝玺：宣统御览之宝
作者印记：问亭鑑赏图书
收传印记：辅国将军博尔都号问亭之章

题跋资料:

题跋类别：作者款识；作者：石涛；题跋位置：本幅；款识：风姿雪艳之中。随意点缀。何物不成清赏所。既有寒木。又发春花。新尚书亦应笑而首可。时辛未（西元一六九一年）二月寄上问翁老维摩。清湘石涛济道人。；书体：行书；全文： 印记：苦瓜和尚、臣僧元济、石涛、何可一日无此君

题跋类别：作者款识；作者：王原祁；题跋位置：本幅；款识：麓台补坡石；书体：行楷书；全文： 印记：王原祁印

主题:

主要主题：树木竹 主要主题：花草兰．蕙 ；次要主题：山水奇石 ；其他主题：山水溪涧、湍泉溪涧

技法:

写意 皴法 苔点 

参考资料:

收藏着录： 石渠宝笈初编（养心殿），上册，页672 收藏着录： 故宫书画录（卷五），第三册，页585 收藏着录： 故宫书画图录，第十四册，页335-336 参考书目： 1.本社，〈清元济王原祁合作兰竹图〉，《故宫文物月刊》，第13期（1984年4月），封底里 。2.石守谦，〈石涛王原祁合作兰竹图的问题〉，《中华民国建国八十年中国艺术文物讨论会论文集　书画(下)》（台北：国立故宫博物院，1992），页491-511。3.〈清　元济王原祁　合作兰竹〉，收入谭怡令、刘芳如、林莉娜主编，《满庭芳　历代花卉名品特展》（台北：国立故宫博物院，2010年十二月初版一刷），页160。 内容简介（中文）： 元济即道济（西元一六四二－一七０七年），广西桂林人。为明代楚藩后裔，俗名朱若极，字石涛，号大涤子等。王原祁（西元一六四二－一七一五年），江苏太仓人，字茂京，号麓台，为清初四王之一。 本幅中，元济画兰竹，行笔洒脱，用墨饱含水份，浓淡相晕，颇有淋漓痛快的感觉，也呈现出了在风中的动态；王原祁亦以写意笔法补坡石，但相对之下，则显得较为收敛。 内容简介（中文）： 元济即释道济（1642-1707），广西桂林人，为明代楚藩后裔。俗名朱若极，字石涛，号大涤子。王原祁（1642-1715），字茂京，号麓台，江苏太仓人。善画山水，为清初四王之一。 合作画向为艺术家相互间借以敦睦友谊，与切磋技艺的重要手段。本幅中，先由元济画兰竹，运笔洒脱，用墨饱含水份，浓淡相晕，极其淋漓痛快，也呈显了兰竹摇曳的风姿。随后，王原祁再补缀坡石，相形之下，笔致显得稍许内敛。但收与放之际，益增画面丰富的兴味。(20110102) 内容简介（英文）： Yuanji refers to the Buddhist monk Daoji, a native of Guilin in Guangxi who was a descendant of the Chu rulers from the Ming imperial clan. His personal name was Zhu Ruoji, and he had the style name Shitao and the sobriquet Dadizi. Wang Yuanqi (style name Maojing, sobriquet Lutai) was a native of Taicang in Jiangsu who excelled at painting landscapes and was one of the Four Wangs of the Early Qing.Cooperative painting is a way for artists to foster friendly relations while not only working with but also learning from each other. In this hanging scroll, Yuanji first painted the bamboo with brushwork that is comparatively free and easy. His ink was saturated with water, the light and dark haloes complementing each other for an effect free of inhibition and without restraint, also expressing the graceful bearing of orchids and bamboo swaying in the breeze. Afterwards, Wang Yuanqi added the slope and rocks. In contrast, he brushwork is slightly more restrained. theless, the difference between this introspection and outward feeling considerably enriches the character of the work.(20110102) 内容简介（英文）： Yuan-chi, also known as Tao-chi, was a native of Kweilin, Kwangsi. A descendant of the Ming imperial family, he also went by his common name Chu Juo-chi (but is perhaps better known by his style name Shih-t'ao). Wang Yuan-ch'i, a native of T'ai-ch'ang in Kiangsu Province, was one of the Four Wangs of the Early Ch'ing. In this work, Yuan-chi painted the orchids and bamboo. His brushwork was fluid and moist with his ink quite watery. The blurring effect of light and dark gives the work a moist and expressive quality that also echoes the fluidity of these motifs in the wind. Wang added the slope and rocks using the "sketching-ideas" manner. In comparison, though, his style appears more reserved.