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色彩:
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本幅绢释文:
印记资料:
鑑藏宝玺:嘉庆御览之宝题跋资料:
题跋类别:作者款识;作者:周文靖;题跋位置:本幅;款识:雪夜访戴。周文靖写。;书体:行书;全文: 印记:三翠轩、尗理、日近清光主题:
主要主题:山水冬景(雪景) 主要主题:树木寒林.枯树枯树主要主题:山水夜景(月景) 主要主题:经史‧故事 雪夜访戴;次要主题:人物渔夫、船夫船夫二人;次要主题:人物侍从(侍女、童仆)童仆;次要主题:人物高士(士人、隐士) ;其他主题:船篷舟 ;其他主题:建筑房舍 ;其他主题:花草芦苇 ;其他主题:花草梅(白.红.蜡梅) ;其他主题:树木竹 ;其他主题:树木 ;其他主题:器用 烛台等;其他主题:山水江河、湖海技法:
写意 皴法披麻皴人物衣纹描法(粗细线条)参考资料:
收藏着录: 石渠宝笈三编(延春阁),下册,页1756 收藏着录: 故宫书画录(卷五),第三册,页297 收藏着录: 故宫书画图录,第六册,页127-128 收藏着录: 以文会友-雅集图特展,页14-17、274 参考书目: 1.〈明周文靖雪夜访戴〉,收入陈阶晋、赖毓芝主编,《追索浙派》(台北:国立故宫博物院,2008年初版一刷),页173。 内容简介(中文): 周文靖(西元十五世纪),福建闽县(莆田)人。山水学夏圭、吴镇,苍润精密,笔力古健,酝酿墨色,各臻其妙。宣德间以阴阳训术征入仁智殿,御试「枯木寒鸦」第一,授命为大庾县典史,历官掌礼仪的鸿胪寺序班。 此图描写东晋名士王徽之夜里梦醒,见月色皎洁兴致突生,遂趋船造访好友戴逵。然抵达之后,又打消念头而折回,或曰:「乘兴而来,尽兴而返。」为明代历史人物故事画之佳例。此幅构图继承南宋马、夏特色,却较之概括简约,而其潇洒放逸之笔法,则近似元人风格。 内容简介(中文): 周文靖,福建莆田人,宣德年间(西元一四二六至一四三五)为仁智殿画官,曾描绘「枯木寒鸦」这个试题得到第一名。擅长山水,兼能人物、花鸟、楼台等。 溪岸枯木,枝枒错杂,积雪浑厚,有着凛冽的寒意。一艘小船戴客行驶于溪上,船中微露着烛光,夜色已深。这就是描绘晋朝王徽之,有一次在大雪初停的夜里,突然兴起了拜访戴逵的念头,于是乘坐小船往剡(今浙江嵊县附近)访戴的故事。 内容简介(英文): Visiting Tai K’uei on an Snowy Night Chou Wen-ching (fl. 1426-1435) Ming Dynasty Chou Wen-ching was a native of P’u-t’ien, Fukien. During the Hsüan-te reign (1426-1435) he entered the Imperial Painting Academy. He won first prize from the Emperor for his rendering of winter ducks and withered trees. His landscapes are archaic, rich in ink, with compact compositions. He also excelled in painting figures, flowers, bamboo, rocks, birds, beasts and architecture. This painting depicts a popular anecdote about Wang Hui-chih, the son of the Chin calligrapher Wang His-chih (321-379). In the clear moonlight after a heavy snowfall, Wang Hui-chih awoke and thought of visiting his good friend Tai K’uei. He got into a small boat and rowed the icy streams to his friend’ cottage. On reaching the bank, however, he no longer had the impulse to visit Tai, so turned around and went home. The brush was wielded with archaic and pungent strength, while the use of washes is especially fine.