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明宣宗宣徳二年（1427）文字类型:
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鑑藏宝玺：乾隆御览之宝题跋资料:
题跋类别：作者款识；作者：朱瞻基；题跋位置：本幅；款识：宣德丁未（西元一四二七年）御笔戏写。；书体：行楷书；全文： 印记：广运之宝、御府图书主题:
主要主题：走兽猿二猿其一抱子；次要主题：果蔬枇杷 ；次要主题：花草芦苇 ；次要主题：树木竹 ；次要主题：花草荆枝 ；其他主题：树木技法:
工笔 写意 没骨 皴法披麻皴参考资料:
收藏着录： 石渠宝笈初编（御书房），下册，页1119 收藏着录： 故宫书画录（卷五），第三册，页307 收藏着录： 故宫书画图录，第六册，页141-142 参考书目： 1.吴诵芬，〈宣德宸翰－允文允武的艺术天子明宣宗书画作品〉，《故宫文物月刊》，第349期（2012年4月），页50-59。2.吴诵芬，〈明宣宗戏猿图轴介绍〉，《故宫文物月刊》，第351期（2012年6月），页106-113。 内容简介（中文）： 宣宗（西元一三九九─一四三五年）姓朱，名瞻基。明成祖长孙，明代第五位皇帝，年号宣德。宣宗雅尚词翰绘事，于书画之作，随意自然，往往与宣和争胜。此轴作于二十九岁，绘母猿紧抱小猿蹲踞于石上，旁有公猿摘送枇杷。图中洋溢着温馨亲子之情，寓有崇尚人伦之意。画猿得宋易元吉神韵，背景之竹丛苇草、荆棘枇杷，线条自然流利。山石皴法圆润，得董巨遗韵。整幅画构图中正和谐，与宣宗皇帝雍容大度，颇能呼应。 内容简介（英文）： Gibbons at PlayEmperor Hsüan-tsung (1399-1435)Ming DynastyEmperor Hsüan-tsung, whose personal name was Chu Chan-chi, was the grandson of Emperor Ch’eng-tzu (r.1403-1424). The fifth emperor of the Ming dynasty, he ruled from 1425 to 1435 under the reign name Hsüan-te. He enjoyed writing poems and painting, and he was able to produce free and natural works. He can thus be compared to Emperor Hui-tsung (r.1101- 125), the famous Northern Sung emperor who was a renowned artist and calligrapher.Hsüan-tsung painted Gibbons at Play when he was 29 years old. Squatting on a rock, a female gibbon clasps her baby as the male gibbon plucks loquats for them. The theme of paternalism and maternalism permeates the composition, demonstrating one of the most important moral principles of basic relationships. In painting gibbons, Hsüan-tsung captured the poetic charm of I Yüan-chi, a Sung dynasty painter of apes. The brush lines of the bamboo, lush reeds, thorny shrubs, and loquats in the background appear fluid and natural. The rocks are depicted in round, moist texture strokes reminiscent of those of Tung Yüan and Chü-jan. The entire composition is balanced and harmonious, representing perhaps a metaphor for Emperor Hsüan-tsung’s natural magnanimity. 网页展示说明 明宣宗（西元一三九九－一四三五年）朱瞻基，雅尚词翰绘事。根据款识，此轴为宣德二年（西元一四二七年）二十九岁时所作，生动温馨的描绘了猿猴家庭的天伦之乐。母猿怀抱小猿蹲踞于石上，幼猿左手搂着母亲的脖子，右臂伸向隔溪树上手持果子引逗小猿的父亲。三猿体态各异，神情生动，皮毛也巧妙运用墨色浓淡干溼表现质感。衬景的荆棘、竹丛、芦苇、水纹的线条也很自然流利。(20120407) 网页展示说明 The Ming emperor Xuanzong (Zhu Zhanji) enjoyed composing poems and doing paintings. According to the signature on this work, it was done in the second year of the Xuande reign (1427) by Xuanzong at the Chinese age of 29. It vividly and warmly depicts joy in the relationships found in a family of gibbons. Squatting on a rock, the mother gibbon clasps her baby, the father having plucked loquats for them. The youth has its left arm around its mother's neck and reaches out for the fruit teasingly presented by its father on the other bank of the stream. The varied poses of the gibbons with their animated expressions and actions are complemented by the expressive texture of fur rendered ingeniously with light and dark as well as wet and dry applications of ink. The lines for the thorny shrubs, bamboo, reeds, and water ripples in the setting are also natural and fluid.(20120407) 网页展示说明 明宣徳帝（1399－1435）、朱瞻基、诗文や书画を好んだ。落款によれば、本作は宣徳2年（1427）、宣徳帝29歳の时の作品である。猿一家の和やかな様子が温かな笔致で生き生きと描かれている。子猿を抱いた母猿が石の上にうずくまっている。まだ幼い子猿は母猿の首に左手を回してしがみつき、せせらぎを隔てた树上の父猿に向かって右腕を伸ばしている。父猿は手に果実を持って子猿の気を引いている。3匹の猿の姿はそれぞれ异なり、表情も生き生きとしている。猿の毛并みは墨の浓淡干湿を巧みに生かして质感が表现されている。猿たちを引き立てるイバラや笹の叶、アシ、波纹などの线もごく自然に描かれている。(20120407)
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