书体:

色彩:

设色,描金

装裱形式:

轴

创作时间:

文字类型:

质地:

本幅绢

释文:

印记资料:

鑑藏宝玺：乾隆御览之宝
鑑藏宝玺：乾隆鑑赏
鑑藏宝玺：石渠定鑑
鑑藏宝玺：宝笈重编
鑑藏宝玺：御书房鉴藏宝
鑑藏宝玺：宣统御览之宝
鑑藏宝玺：石渠宝笈
鑑藏宝玺：三希堂精鑑玺
鑑藏宝玺：宜子孙

题跋资料:

主题:

主要主题：人物孩童 ；次要主题：花草莲荷 ；次要主题：建筑水榭 ；其他主题：山水夏景 ；其他主题：人物侍从（侍女、童仆） ；其他主题：树木杨柳 ；其他主题：树木  ；其他主题：花草蜀葵 ；其他主题：果蔬石榴 ；其他主题：草虫蜻蜓 ；其他主题：建筑庭院 ；其他主题：建筑池水 ；其他主题：节令与二十四节气端午 ；其他主题：器用家俱（屏风） ；其他主题：器用饮食器 ；其他主题：器用童玩 ；其他主题：器用香炉．火盆 ；其他主题：器用宗教器用 

技法:

工笔 界画 

参考资料:

收藏着录： 石渠宝笈续编（御书房），第四册，页1928 收藏着录： 故宫书画录（卷五），第三册，页79 收藏着录： 故宫书画图录，第二册，页65-66 内容简介（中文）： 端午日，树阴敞榭，曲桥池沼中荷花绽放。群婴欢戏。扮戏、舞旗、摘荷、击钹、捉蜻蜓等等，其乐融融。人物描绘生动，地面上罗列各色玩具刻划入微。主要内容俱以金线勾描，显富丽装饰性。苏汉臣(约西元十二世纪)，河南开封人。曾任宣和画院待诏，北宋亡于金后，南宋绍兴年间又进画院复职。师刘宗古，工画道释、人物臻妙，尤善婴孩。 内容简介（中文）： 春日庭院，胡床屏风，三位婴儿据床观赏瓶中游鱼，两位于草地上玩弄陀螺，旁有一婴孩着红衣，脸戴面具，高扬朱笔，另一婴孩，背负幼儿，循阶而下，前来相会。本幅色彩颇为古雅，线条细致中亦不失灵活特色。苏汉臣(约西元十二世纪)，河南开封人，曾任宣和画院待诏，北宋亡于金后，南宋绍兴年间又进画院复职。师刘宗古，工画道释、人物臻妙，尤擅婴孩。 内容简介（英文）： Su Han-ch'en was a native of K'ai-feng, Honan. He was employed as a Painter-in-Attendance at the Painting Academy during the Hsuan-ho reign of the Northern Sung. After the Northern Sung fell to the Chin, he fled south and was reemployed in his old position at the Southern Sung court during the Shao-hsing reign (1131-1162). Su Han-ch'en studied with Liu Tsung-ku. He excelled as a figure painter, especially of religious subjects and children. A lounge (ho bed) and screen are seen in the garden on a spring day. Three children stand upon the lounge to catch the fish swimming in glass vases. Two others are playing with tops. Another, wearing red clothes and a mask of Chung K'uei, the Demon Queller, raises a red writing brush. Yet another child descends to meet the group, carrying a baby on his back. The colors are antique and the brush lines are very fine. The painting is infused with an enchanting liveliness. 内容简介（英文）： Su Han-ch'en was a native of K'ai-feng, Honan. He was employed as a Painter-in-Attendance at the Painting Academy during the Hsuan-ho reign of the Northern Sung. After the Northern Sung fell to Chin, he fled south and was reemployed in his old position at the Southern Sung court during the Shao-hsing reign (1131-1162). Su Han-ch'en studied with Liu Tsung-ku. He excelled as a figure painter, especially of religious subjects and children. Lotus flowers blossom in a pond by winding bridges and a pavilion in the shade of trees on the day of the Dragon Boat Festival. A group of children are at play, performing theatrical skits, dancing with pennants, picking lotus flowers, beating cymbals and chasing dragonflies. Their joy overflows. The figures are described with spirit and vitality, and the various toys arrayed on the ground are depicted with an eye for extraordinary detail. The important subjects are all given gold outlines, which gives the painting a luxurious, decorative quality.