书体:

色彩:

水墨

装裱形式:

卷

创作时间:

文字类型:

质地:

本幅绢拖尾绢

释文:

印记资料:

题跋资料:

题跋类别：作者款识；作者：董其昌；题跋位置：本幅；款识：拟北苑秋林晚翠。玄宰。；书体：草书；全文： 印记：董其昌印

题跋类别：作者款识；作者：董其昌拖尾夜坐不厌湖上月。昼行不厌湖上山。眼前一尊又长满。心中万事如等闲。主人有黍百馀石。浊醪数斗应不惜。即今相对不尽欢。别后相思复何益。茱萸湾头归路赊。愿君且宿黄公家。风光若此人不醉。参差辜负东园花。其昌书。；书体：行书；全文： 印记：宗伯学士、董玄宰

主题:

主要主题：山水秋景 ；其他主题：树木松 ；其他主题：建筑房舍 ；其他主题：树木  ；其他主题：山水江河、湖海 

技法:

写意 皴法披麻皴苔点 

参考资料:

收藏着录： 故宫书画录（卷四），第二册，页238 收藏着录： 故宫书画图录，第十九册，页433-436 内容简介（中文）： 董其昌（西元一五五五－一六三六年），字玄宰，号香光、思翁，松江华亭人。万历十七年进士，天启年间官至南京礼部尚书，后请归故里，隐居以书画自娱。近景坡石间乔松、枯木及杂树林立，多以浓淡墨横点，树后露出几间屋宇。高峻山峦互叠，草木苍翠，对岸远山起伏连绵，遥接天际。山石绘法采披麻皴，并以水墨晕染，虽仿自黄公望、赵孟頫，仍具有率笔写意的董氏特色。 内容简介（英文）： Tung Ch’i-ch’ang, a native of the Shanghai area, was a scholar-official but better known as one of the most prominent painter-calligraphers and connoisseurs of his time. On the slope in the foreground here is a scene of lofty pines, withered trees, and other trees rendered mostly with horizontal strokes in light and dark ink. Behind the trees and emerging from the mist are several buildings. Lofty peaks and ridges extend to the rear along with luxuriant grasses and woods. On the opposite bank, distant peaks rise towards the sky. The slope was done with long texture strokes and washed with ink. Though following the Yüan styles of Huang Kung-wang and Chao Meng-fu, this work still reveals the light “sketching ideas” brushwork associated with Tung.