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本幅绢释文:
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鑑藏宝玺:乾隆御览之宝题跋资料:
题跋类别:作者款识;作者:周全;题跋位置:本幅;款识:锦衣都指挥周全写;书体:楷书;全文: 印记:指挥使周全图书主题:
主要主题:人物帝王 ;次要主题:走兽马 ;次要主题:花草芦苇 ;其他主题:山水 ;其他主题:山水溪涧、湍泉 ;其他主题:山水江河、湖海江河;其他主题:人物侍从(侍女、童仆) ;其他主题:人物官员(臣) ;其他主题:器用兵器弓箭;其他主题:器用耕织渔猎猎;其他主题:翎毛雉(锦鸡.雉类)雉;其他主题:树木松 ;其他主题:树木 ;其他主题:山水瀑布技法:
工笔 写意 皴法 皴法斧劈皴人物衣纹描法(匀称线条)参考资料:
收藏着录: 故宫书画录(卷五),第三册,页410-411 收藏着录: 故宫书画图录,第九册,页43-44 参考书目: 1.〈明周全射雉图〉,收入陈阶晋、赖毓芝主编,《追索浙派》(台北:国立故宫博物院,2008年初版一刷),页174-175。 内容简介(中文): 寒林平野,一人骑马按弓,转身接取侍从递来之箭矢。另一人亦持弓箭,侍立于侧,三人均注视左前方振翅飞起的雄雉。人物着对襟袄子,戴阔沿高帽,帽尖缀珠饰或插羽毛。马骑装饰繁缛,肢体健壮。俱为工笔设色,精细描绘而成。此图从骑马射雉主人翁的体貌、服饰来看,所绘者亦当是明宣宗。背景树石笔墨苍劲恣肆,与人物鞍马之工细不同,构图及笔法都是明初流行于宫廷的浙派画风。 作者生平不详,〔明画录〕记载擅于画马。依款识职衔和画风来看,应是活动于宣德前后,地位极高的宫廷画家。 内容简介(英文): Pheasant Hunting Chou Ch’üan (fl. Ca. 1426-1435) Ming Dynasty Chou Ch’üan apparently was a high-ranking court painter. Though little is known about him, he is recorded in the Biographies of Ming Painters (Ming-hua lu) as a noted painter of horses. On the basis of his title and style, he was probably active during the reign of Emperor Hsüan-tsung. In a wintry forest, a rider turns and reaches for arrows provided by an attendant while another man stands clutching a bow and arrows. Their gaze is focused on the two pheasants in the left foreground that they have just flushed out. The figures and horses are carefully drawn and colored, in contrast to the sketchy trees and rocks of the background. The composition and brushwork are typical of the Che School style, which was popular at the early Ming court. In fact, the rider here, judging from his features and clothing, may even be Hsüan-tsung himself.