书体:

色彩:

设色

装裱形式:

卷

创作时间:

文字类型:

质地:

本幅纸拖尾纸

释文:

印记资料:

鑑藏宝玺：乾隆御览之宝
鑑藏宝玺：乾隆鑑赏
鑑藏宝玺：石渠宝笈
鑑藏宝玺：三希堂精鑑玺
鑑藏宝玺：宜子孙
收传印记：赵孟頫印
收传印记：大雅
收传印记：神品
收传印记：子孙永保
收传印记：子京
收传印记：平生真赏
收传印记：子京父印（重一）
收传印记：项墨林鑑赏章
收传印记：天籁阁
收传印记：退密
收传印记：墨林山人
收传印记：项子京家珍藏
收传印记：墨林秘玩
收传印记：□□私印
收传印记：竹隐（重一）
收传印记：庆锡私印（重一）

题跋资料:

题跋类别：题跋；作者：董其昌拖尾董其昌题；书体：草书；全文：钱舜举宋进士。赵吴兴以先进事之。尝问士大夫画于舜举。舜举曰。隶法者是。吴兴甚服膺之。及其自为画。乃刻画赵千里。几于当行家矣。古人作事不肯造次。所谓人巧极天工错。不独赋家尔尔也。董其昌题。印记：知制诰日讲官、董其昌印

主题:

主要主题：经史‧故事 故事（王羲之观鹅）主要主题：山水  ；次要主题：建筑亭 ；其他主题：山水江河、湖海江河；其他主题：人物高士（士人、隐士）士人（王羲之） ；其他主题：人物侍从（侍女、童仆）童仆；其他主题：树木  ；其他主题：树木竹 ；其他主题：翎毛鹅 ；其他主题：建筑房舍 

技法:

工笔 皴法 人物衣纹描法(匀称线条) 

参考资料:

收藏着录： 故宫书画录（卷四），第二册，页73 收藏着录： 故宫书画图录，第十六册，页381-384 参考书目： 1.简松村，〈宋钱选兰亭观鹅图〉，《故宫文物月刊》，第25期（1985年4月），页120-121。2.姜映荷，《钱选人物鞍马画与山水画复古问题研究》，国立台北艺术大学美术史研究所硕士论文，2004年。 内容简介（中文）： 钱选（西元1239─1301年），浙江吴兴人。字舜举，宋景定间乡贡进士。为「吴兴八俊」之一。入元不仕，流连诗画以终其身。山水、人物、花鸟无不擅长。 此手卷描绘王羲之坐于亭内，观看湖中白鹅嬉戏，由鹅修长脖子摆动的优美姿态，得到书法运笔的灵感。山石以重复而单纯的直线和曲线构成，再于轮廓内涂上石青、石绿、土黄等颜色，仿唐朝青绿山水的作风。此画并不刻意追求古拙的趣味，充满怀古情意。 内容简介（英文）： Ch'ien Hsüan, style name Shun-chü, was a native of Wu-hsing, Chekiang. He is considered one of the Eight Talents of Wu-hsing, a group of early Yüan Dynasty painters. He received the chin-shih degree as a provincial candidate ( hsiang-kung ) during the Ching-ting era. After the fall of the Sung he refused to serve the Yüan government and instead devoted himself to painting. His landscapes, figures and bird-and flower paintings are of exceptional quality. This hand scroll illustrates the story of Wang Hsi-chih, the famous Chin Dynasty calligrapher, whose spirited calligraphy is said to have been inspired by the sinuous movements of the long necks of geese. The rocks were painted in thin, angular lines in repeating patterns. The outlines are filled in with mineral blues and greens and natural yellows reminiscent of T'ang Dynasty blue-green landscapes. This painting conveys a sense of antiquity and nostalgia. 网页展示说明 钱选（一二三九－一三Ο一），浙江吴兴人。字舜举，宋景定间乡贡进士，为「吴兴八俊」之一，入元不仕。此幅描绘王羲之坐于亭内，观看湖中白鹅嬉戏。山石以重复而单纯的直线和曲线构成，再于轮廓内涂上石青、石绿、赭石等颜色，呈现一种古拙的趣味。传世尚有其他复本。(20100710) 网页展示说明 Qian Xuan, style name Shunju, was a native of Wuxing, Zhejiang. One of the Eight Talents of Wuxing, he received the Presented Scholar (jinshi) degree as a provincial candidate in the Jingding era (1260-1264) but did not serve the Yuan after the fall of the Song. This handscroll illustrates the story of Wang Xizhi (307-365), the famous Jin "Sage Calligrapher," whose spirited style is said to have been inspired by viewing the sinuously long necks of geese. The rocks here were painted in straight and curving lines to make repeated patterns, as mineral blues and greens with ochre were added inside the outlines to create an archaic quality. There are also other copies that have survived through the ages. (20100710) 网页展示说明 銭选（1239-1301）、字は舜挙、浙江呉兴の人。宋景定年间の郷贡进士で、「呉兴八俊」の一人。元の朝廷には仕えなかった。本作は王羲之が东屋の中に座り、湖の鵞鸟を眺めている情景を描いている。山々は反复した単纯な直线と曲线で构成され、轮郭の中に蓝色、绿色、红褐色などの色を埋め、古拙な趣を漂わせている。本作とは别に伝世の复本がある。(20100710)