书体:

色彩:

浅设色

装裱形式:

卷

创作时间:

文字类型:

质地:

本幅绢

释文:

印记资料:

鑑藏宝玺：嘉庆御览之宝
鑑藏宝玺：嘉庆鑑赏
鑑藏宝玺：石渠宝笈
鑑藏宝玺：三希堂精鑑玺
鑑藏宝玺：宜子孙
鑑藏宝玺：宝笈三编
鑑藏宝玺：宣统御览之宝
收传印记：楝亭祕玩

题跋资料:

题跋类别：题跋；作者：王澍拖尾琅邪王澍；书体：行楷书；全文：右卞庄子刺虎图。不着画者名氏。自昔相传。称为李龙眠。翫其笔法。软如绵。劲如铁。浑是一段浩然之气。行乎其中。信信（衍一信字）非龙眠不能作也。卞庄子刺虎事。具国策及史记。与鹬蚌相持语正相类。盖以规人之恃强而好胜。无益。终必自毙。徒为他人利耳。古人作画。必具劝戒。龙眠拈此作图。规切之意深矣。琅邪王澍。印记：王澍印、恭寿

主题:

主要主题：经史‧故事 卞庄子刺虎主要主题：人物侍从（侍女、童仆） 主要主题：人物百姓 ；次要主题：走兽牛 ；次要主题：走兽虎 ；次要主题：器用文玩（琴棋书画）书 ；其他主题：器用兵器剑 ；其他主题：器用如意 ；其他主题：器用枴杖 

技法:

工笔 人物衣纹描法(匀称线条) 

参考资料:

收藏着录： 石渠宝笈三编（延春阁），第三册，页1432 收藏着录： 故宫书画录（卷四），第二册，页88 收藏着录： 故宫书画图录，第十七册，页33-34 内容简介（中文）： 画一牛已毙，踣于草上，卷前两虎争牛而斗。卞庄子持剑将往刺虎。一人前往劝止，卷后负剑奉轴、操杖执如意者凡六人。按此为春秋时故事。卞庄子为卞邑大夫，有勇力，刺虎时，管竖子阻之，曰：两虎方食牛，牛甘必斗，斗大则伤，小则亡。从伤而刺，一举必有两获。卞听其言，果获两虎。盖两虎相争如鹬蚌相持，得利者必为他人。均以规劝人之恃强好胜，必无益而自毙。本幅画人物及虎均极生动。虎虎相斗，卞庄子之勇，尤其美妙。 内容简介（中文）： 画中一牛受伤，两虎为争食而相互咬斗。春秋（西元前七七0年—二二一年）鲁国大夫卞庄，以「勇」着称，持剑将刺老虎，回身却听旁人劝告：两虎相争，必一死一伤，此时刺伤虎而得两虎。卞庄听从建议，果得两虎。本幅无名款，清宫归于宋代李公麟（约一0四九年—一一0六年）名下。画中卞庄神态及两虎相斗，极为生动。(20091016) 内容简介（中文）： 卞庄是鲁国（西元前1027-250）的大夫，以「勇」着称。画中的场景，一只牛已受伤倒卧在草地上，两只老虎正为争食牛而相互咬斗。卞庄左手牵起衣䙓，右手提起剑要往前冲出去，却又转头听着旁边人拱手说话。画卷的最后有人捧「如意」拿「杖」。画中的故事是卞庄想刺杀老虎，旁边的人劝告他，两只老虎正想吃这头牛，必然因牛而起争斗，两只老虎一争斗，小老虎为大老虎所杀，大老虎也难免受伤。等到两只老虎争斗完毕，只要杀死那受伤的大老虎，岂不是一下子就得到两只老虎了。卞庄听从这个建议，就停下来等待两虎相斗完毕，果然如所说的，得到两只老虎。这则故事的意义是劝告人不要祇凭勇气，而没有智慧。另一方面的意义，也说出自己人（两只老虎）相争，最后却被别人得到利益。规劝人如果自以为勇敢好胜，并没有益处。本幅没有作者的签名，以前总会把这种线条描绘精良的人物画说是出于宋代李公麟（约1049-1106）之手，本卷在清朝皇宫的记录《石渠宝笈三编》就是如此认定，但这样的说法并不能获得现代人的同意。然而画中对主角卞庄神态的掌握，两虎的相斗，都是宋朝人高明的表达。（王耀庭） 内容简介（英文）： This work shows an injured ox and 2 tigers fighting over it. The official Bian Zhuangzi of Lu in the Spring and Autumn Period (770-221 BCE) was renowned for bravery. Taking out a sword to kill a tiger, his attendant told him that when 2 tigers fight, one will die and the other be injured. He could wait, easily kill the injured tiger, and thus claim to have killed 2. Bian took the advice. At the end of the scroll, Wang Shu saw it and related it to “The snipe and clam grapple” (so the fisherman wins). Thus, he warns not to think of oneself by taking advantage of the weak, but to come to others’ assistance. This work is not signed, but the Qing court attributed it to Li Gonglin (ca. 1049-1106). The actions and appearance of Bian and the tigers are quite lively.(20091016) 内容简介（英文）： Near the scene of two tigers fighting over a dead buffalo, Pien Chuang-tzu with a drawn sword is about to hurry over to slay the fierce beasts. Kuan Shu-tzu steps forward and dissuades Pien from the risk. Kuan is advising: the tigers must fight because the meat of the buffalo is sweet. The weaker one will be killed and the stronger one will come out wounded. If you would wait, you could gain two tigers simply by finishing off the wounded and exhausted. Beside Pien and Kuan stood six people carrying sword, scrolls, scepter and staff respectively.This painting is based on the story told in the Spring and Autumn period (770-481 B.C.). Pien Chuang-tzu, the magistrate of the Pien County, was famous for his might and boldness. Nevertheless, having followed Kuan's advice on this occasion, he won both beats without much exertion. Form this are drawn two moral teachings. When two power beings crash in tussle, one will be destroyed and the other fatally wounded. And also that: it is the third party that profits from such tussles. The story admonishes people not to count too much on one's might for it might lead to self-destruction.