书体:
色彩:
水墨装裱形式:
卷创作时间:
明神宗万历四十四年(1616)文字类型:
汉文质地:
本幅纸释文:
印记资料:
鑑藏宝玺:乾隆御览之宝题跋资料:
题跋类别:作者款识;作者:董其昌;题跋位置:本幅;款识:大癡画法超凡俗。只尺关河千里遥。独有高人赵荣禄。赏伊幽意近清标。董玄宰画。;书体:行书;全文: 印记:董其昌印主题:
主要主题:山水 ;其他主题:山水江河、湖海江河;其他主题:建筑桥 ;其他主题:建筑房舍 ;其他主题:树木技法:
写意 皴法 皴法披麻皴皴法米点皴参考资料:
收藏着录: 石渠宝笈初编(干清宫),上册,页400 收藏着录: 故宫书画录(卷四),第二册,页239-240 收藏着录: 故宫书画图录,第十九册,页417-420 参考书目: 1.陈韵如,〈明董其昌倣黄公望山水〉,收入何传馨主编,《山水合璧:黄公望与富春山居图特展》(台北:国立故宫博物院,2011年五月初版一刷),页337。 内容简介(中文): 万历四十四年(1616)董其昌(1555-1636)得到黄公望为陈宝生(字彦廉)所作画幅后临仿作此画。董其昌在1596年已收到〈富春山居图〉卷,此作也可见〈富春山居图〉卷的相似构图。董其昌透过黄公望风格,增加他在用笔上的丰富变化。画卷中笔墨变化多样,干湿用笔交错,自然天成的意趣纵横洋溢。山体的结组也有来自〈富春山居图〉的层叠山形,但从中变化得更加随兴灵活,已呈现董其昌中后期画风面貌。(20110609) 内容简介(英文): This is a copy Dong Qichang made of a landscape painting by Huang Gongwang done for Chen Baosheng (style name Yanlian) after Dong acquired it in 1616. Dong Qichang had already acquired the handscroll “Dwelling in the Fuchun Mountains” in 1596, and this work reveals similarities to it in terms of composition. On the foundation of Huang Gongwang’s style, Dong Qichang has added considerable variety. The diversity to the brush and ink in the painting features an interaction of dry and moist brushwork that naturally matches the sense of delight that runs through the handscroll. The landscape construct also derives from the mountain forms in “Dwelling in the Fuchun Mountains,” but more of a spontaneous spirit permeates the variety, thus revealing the quality of Dong Qichang’s middle to later painting style.(20110609)