书体:
色彩:
装裱形式:
册(推蓬装)创作时间:
明世宗嘉靖十九年(1540)文字类型:
质地:
前副叶纸本幅纸后副叶纸释文:
印记资料:
鑑藏宝玺:嘉庆御览之宝题跋资料:
题跋类别:作者款识;作者:陈淳后副叶白阳山人书画。;书体:楷书;全文:主题:
技法:
参考资料:
收藏着录: 石渠宝笈三编(延春阁),第四册,页1948 收藏着录: 故宫书画录(卷六),第四册,页50-51 收藏着录: 故宫书画图录,第二十二册,页298-303 内容简介(中文): 陈淳少年作画学元人,中岁以后倾心米芾、高克恭,画山水淋漓疏爽,不落蹊径。亦曾游学文征明门,然征明仅谦称是他的举业师,而不敢以书画师自居。此册画成于一五四○年,为陈淳五十八岁时的作品。前副叶之「漫兴」二字,表达其追求平淡天真的意境。册中各幅山水综合各家之长,笔法奔放简练,抒发了閒适幽淡的文人生活情趣。此种水墨写意的山水画,在当时文人画中亦具新意。(20100105) 内容简介(英文): Chen Chun in his youth studied the painting of Yuan masters, but after his middle years turned to the styles of Mi Fu and Gao Kegong, painting landscapes with directness and wet ink in his own manner. He also studied under the master Wen Zhengming, who humbly called himself Chen’s “elementary” teacher, admiring his skill in painting and calligraphy. This album was done in 1540 at the Chinese age of 58. The frontispiece of 2 characters, “Flowing [with] feeling,” expresses Chen’s pursuit of simplicity. The landscapes combine the virtues of various masters. The brushwork is unbridled and succinct, revealing a light and leisurely aspect of literati life. This type of “sketching ideas” landscape in ink was an innovation in literati painting then.(20100105)