书体:

色彩:

装裱形式:

册(蝴蝶装)

创作时间:

丙申（西元一五三六年）

文字类型:

质地:

本幅纸前副叶纸

释文:

印记资料:

鑑藏宝玺：乾隆御览之宝（重一）
鑑藏宝玺：养心殿鑑藏宝
鑑藏宝玺：石渠宝笈
鑑藏宝玺：嘉庆御览之宝
鑑藏宝玺：宣统御览之宝
鑑藏宝玺：宣统鑑赏
鑑藏宝玺：无逸斋精鑑玺

题跋资料:

题跋类别：题跋；作者：王逢元前副叶一 ；书体：行书；全文：包山写生印记：王子新印

题跋类别：题跋；作者：王逢元前副叶二 ；书体：篆书；全文：为华传神

主题:

技法:

参考资料:

收藏着录： 石渠宝笈初编（养心殿），上册 ，页496-497 收藏着录： 故宫书画录（卷六），第四册，页61-62 收藏着录： 故宫书画图录，第二十二册，页318-321 参考书目： 1.王耀庭、张华芝，〈明陆治写生〉，收入王耀庭、张华芝编，《明陆治作品展览图录》（台北：国立故宫博物院，1992年初版），页76。2.〈明陆治牡丹〉，收入国立故宫博物院编辑委员会编，《牡丹名画特展图录》（台北：国立故宫博物院，1987年四月初版），页40。 内容简介（中文）： 陆治（西元一四九六至一五七六年），江苏吴县人。字叔平，号包山子。为人孝悌好义，诗文书画俱佳，曾游艺于祝允明、文征明之门，画风清雅，山水、花鸟颇能出己意。 陆治「写生」册，本幅共计十开，各画菊、蔷薇、梅竹、牡丹、杏竹班鸠、紫薇、芙蓉、水仙、绣球与荷，俱以逸笔为之，殊见清雅之趣。每开并自题点景诗一首，末开款署：「丙申五月，包山陆治识」。故知此册完成于明世宗嘉靖十五（一五三六）年，时年四十一岁。 内容简介（中文）： 陆治传世花鸟画作，工笔、写意两种画法兼而有之，笔法或者追摹宋人，或者学习沈周（一四二七－一五O九）、陈淳（一四八三－一五四四），同样投注许多心力。此件写生册页共计十开，作于四十一岁，能得沈周写意花卉的趣味，潜力却尚未发挥，所画依序为菊花、蔷薇、梅竹、牡丹、杏竹班鸠、紫薇、芙蓉、水仙、绣球花与荷花。 内容简介（英文）： At present, Lu Chih’s surviving works of birds and flowers are done in two main techniques—fine lines and “sketching ideas”. In terms of brushwork, some follow after Sung (960-1279) artists, while others are in the manners of Shen Chou (1427-1509) and Ch’en Ch’un (1483-1544). All reflect the utmost concentration of Lu. This album of paintings from life includes 10 leaves done in 1536 at the age of 40. Lu was able to capture Shen Chou’s style of flowers done with the “sketching ideas” manner but with more restraint. In order of appearance, the blossoms here include those of the chrysanthemum, rose, plum (with bamboo), peony, apricot (with a dove), crape-myrtle, hibiscus, narcissus, hydrangea, and lotus. 内容简介（英文）： Lu Chih (style name Shu-p’ing, sobriquet Pao-shan-tzu) was a native of Wu-hsien, Kiangsu. Noted for his filial piety and personal integrity, he was an accomplished poet, writer, calligrapher, and painter, associated with such artistic luminaries as Chu Yün-ming (1460-1526) and Wen Cheng-ming (1470-1559). In his landscape and bird and flower paintings, Lu Chih gave full vent to his idiosyncratic style. This album of paintings from nature contains ten leaves, including: chrysanthemums, roses, plum and bamboo, peony, apricot, bamboo and ringdove, purple fern, hibiscus, narcissus, hydrangea, and lotus. All were executed with deft, quick brushstrokes in an especially refined and graceful manner, and each leaf is accompanied by an appropriate poem. An inscription at the end of the album states its completion during the 15th year (1536) of the Chia-ching reign when the artist was 41.