书体:

色彩:

水墨

装裱形式:

册(折装‧方幅式)

创作时间:

文字类型:

质地:

本幅纸

释文:

印记资料:

收传印记：仪周鑑赏

题跋资料:

题跋类别：作者款识；作者：项圣谟；题跋位置：本幅；款识：写一峰道人画意。项圣谟。  印记：存存居士、考古正今

主题:

主要主题：山水  ；其他主题：人物百姓 ；其他主题：山水江河、湖海江河；其他主题：山水瀑布 ；其他主题：树木  ；其他主题：建筑桥 

技法:

写意 皴法 人物衣纹描法(减笔) 苔点 

参考资料:

收藏着录： 石渠宝笈三编（延春阁），第五册，页2099 收藏着录： 故宫书画录（卷六），第四册，页78 收藏着录： 故宫书画图录，第二十三册，页226-229 参考书目： 1.陈昱全，〈项圣谟山水〉，收入何传馨主编，《山水合璧：黄公望与富春山居图特展》（台北：国立故宫博物院，2011年五月初版一刷），页344-345。 内容简介（中文）： 项圣谟（1597-1658），浙江嘉兴人。字孔彰，号易庵，又号胥山樵。为明代大收藏家项元汴的孙子，早年家中藏有大量古代书画，与当代著名文人董其昌、陈继儒等友好，受文人画论影响，很早开始临仿古人画作。此开以黄公望惯用的土石平台组成主要山体，但未援用大癡的披麻皴法，而以肯定、方折的轮廓线勾勒出坚实山体，加以侧笔干擦后染以淡墨，更添山体的量感与立体感。画中出现一策杖隐士单独行走于深山之中，增添画境的生意，也有隐居避世的画意。(20110609) 内容简介（英文）： Xiang Shengmo (style name Kongzhang; sobriquets Yi’an and Xushanqiao) was a native of Jiaxing in Zhejiang. A grandson of the great Ming dynasty collector Xiang Yuanbian, in his early years a large number of ancient works of painting and calligraphy were in the family collection. He also closely associated with such famous literati contemporaries as Dong Qichang and Chen Jiru, coming under the influence of literati painting theories and starting to copy ancient works of art from a very early age.This album leaf employs the rocks and flat outcroppings commonly used by Huang Gongwang to construct the main mountain forms, but it lacks his hemp-fiber texture strokes. Furthermore, the concerted and angular outline strokes delineating the solid mountain forms, combined with the washes of light ink added to the slanted-brush dry texturing, give the mountain forms a greater sense of weight and volume. In the painting appears a recluse walking alone deep in the mountains and holding a staff, giving the scenery a sign of life while conveying the idea of retiring from the world and living in reclusion.(20110609)