书体:

色彩:

浅设色

装裱形式:

册(折装‧方幅式)

创作时间:

文字类型:

质地:

本幅纸

释文:

印记资料:

鑑藏宝玺：乾隆鑑赏
鑑藏宝玺：无逸斋精鑑玺
鑑藏宝玺：宣统鑑赏
收传印记：宋致审定
收传印记：赤
收传印记：之

题跋资料:

题跋类别：作者款识；作者：陈洪绶；题跋位置：本幅；款识：洪绶画赠石天先生。时辛卯（西元一六五一年）中秋。；书体：行书；全文： 印记：章侯、陈洪绶印

主题:

主要主题：佛道人物僧（和尚、尼姑） ；其他主题：器用宗教器用经书；其他主题：器用家俱（屏风）桌

技法:

白描 人物衣纹描法(匀称线条) 

参考资料:

收藏着录： 石渠宝笈初编（养心殿），上册，页492-493 收藏着录： 故宫书画录（卷六），第四册，页87-88 收藏着录： 故宫书画图录，第二十三册，页238-243 参考书目： 1.李玉珉，〈明陈洪绶品梵〉，收入李玉珉主编，《罗汉画》（台北：国立故宫博物院，1990年初版），页81。 内容简介（中文）： 陈洪绶（西元一五九八至一六五二年），字章侯，早年自号莲沙弥，后号老莲。明亡后，自称悔迟，又称勿迟。浙江诸暨人。人物、花鸟、草虫、山水无不精明，皆能自出机杼，高古奇骇，为晚明极具影响力之大画家。　画中二罗汉并坐几前阅经，一俯首专注经文，一双手托经，张口欲言，似拟讨论经句。罗汉造型奇古，衣纹匀圆遒劲，墨线之上复勒以青、赭，于白描之清雅中加以变化。本幅选自「隐居十六观」第十开，为老莲五十四岁所绘，乃逝世前一年之作品。 内容简介（英文）： Lohans Studying SûtrasCh’en Hung-shou (1598-1652)Ming Dynasty Ch’en Hung-shou was a native of Chu-chi, Chekiang, and his style name was Chang-hou. In his youth, he called himself Lien-sha-mi (The Lotus Novice) and later called himself Lao-lien (The Old Lotus). After the fall of the Ming dynasty in 1644, he called himself Hui-ch’ih (Too Late to Regret) and Wu-ch’ih (Not Too Late). His depictions of human figures, birds, flowers, insects, and landscapes are all pure, archaic, and eccentricly marvelous. Ch’en Hung-shou was an extremely influential late Ming dynasty master. In this painting are two lohans seated before a table studying sûtras. One bows his head concentrating on a sûtra. The other holds one in his hands, opening his mouth as if wanting to utter or discuss something from a section of the sûtra. The designs of the lohans appear bizarre and archaic, and the drapery lines are even and uniform, round and forceful. Repeated above the black ink lines are blue and red lines, which provide an elegant and fresh variation on the pai-miao (plain-line) manner. This painting is the tenth leaf from the album “Sixteen Views of Dwelling in Seclusion” and was painted by Ch’en Hung-shou when he was 53-years-old, one year before he died.