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册(折装)

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本幅金笺本幅纸

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印记资料:

鑑藏宝玺：乾隆御览之宝
鑑藏宝玺：乾隆鑑赏
鑑藏宝玺：石渠宝笈
鑑藏宝玺：三希堂精鑑玺
鑑藏宝玺：宜子孙
鑑藏宝玺：石渠定鑑
鑑藏宝玺：宝笈重编
鑑藏宝玺：养心殿鑑藏宝
鑑藏宝玺：嘉庆御览之宝
鑑藏宝玺：宣统御览之宝
鑑藏宝玺：宣统鑑赏
鑑藏宝玺：无逸斋精鑑玺

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收藏着录： 石渠宝笈续编（养心殿），第二册，页1141-1142 收藏着录： 故宫书画录（卷六），第四册，页96 收藏着录： 故宫书画图录，第二十三册，页206-209 参考书目： 1.〈明蓝瑛画花鸟〉，收入国立故宫博物院编，《晚明变形主义画家作品展》（台北：国立故宫博物院，1977年九月初版），页370。2.本社，〈明蓝瑛画花鸟册〉，《故宫文物月刊》，第52期（1987年7月），页4-16。 内容简介（中文）： 蓝瑛，西元一五八五年生，一六六四年八十尚在。钱塘人，字田叔，号蜨叟，晚号石头陀。善画山水、人物、花鸟，兰石尤绝。　此十二幅册成于永历辛卯，时年六十七岁，旅居于嘉兴。册中纪时最早为九月九日，最晚则为十月，约历一月馀始成。全册用泥金纸，笔法沉着，傅彩古艳，是蜨叟精心之作。 内容简介（中文）： 蓝瑛，西元一五八五年生，一六六四年八十尚在。浙江钱塘人。年幼随当地画师习画，后来转学文人松江画派的画风与理论。本作品共有十二开，成画于永历辛卯（西元一六五一年）年，时年六十七岁，旅居嘉兴。本次展出第一、二开，分别为「柳杏春莺」与「梨花雪鸟」。画上或题诗句，或指出师法宋人之作，重点在诗意的表现，而非描绘「雪鸟」与「春莺」的物种特色。可与「鸟谱」相对照。 内容简介（英文）： Lan Ying, a native of Ch’ien-t’ang in Chekiang, studied as a youth with local professional painters in figure and ruled-line painting. He later catered to the popular style of Sungkiang literati painting. Lan did this album, consisting of 12 leaves, in 1651 at the age of 66 while living in Chia-hsing. On display here are the first 2 leaves, which are “Spring Oriole Among Willow and Apricot” and “Snowy Bird Among Pear Blossoms”. Inscribed on one are lines of poetry and on the other is a reference to the style of a Sung dynasty (960-1279) artist, both traditional elements in painting. Poetic expression rather than the actual appearance of a “snowy bird” and “spring oriole” is thus emphasized here, serving in contrast to “Manual of Birds” on display here. 内容简介（英文）： Lan Ying was a native of Ch’ien-t’ang, Chekiang. His style name was T’ien-shu, his sobriquets Tieh-sou and Shih-t’ou-t’o. He excelled at landscapes, figures, birds, flowers, and especially orchids. This album of twelve leaves was painted in 1651 when Lan Ying, in his sixty-seventh year, was visiting Chia-hsing. The inscriptions, written between the ninth lunar month ninth day, and the tenth lunar month, indicate it was completed in about one month. The entire album is painted in gold-sprinkled paper. The brushwork has depth and firmness, the colouring has an antique beauty. It is an expression of the artist’s most characteristic qualities.