书体:

色彩:

设色

装裱形式:

册(折装‧方幅式)

创作时间:

文字类型:

质地:

本幅绢

释文:

印记资料:

题跋资料:

题跋类别：作者款识；作者：邵弥；题跋位置：本幅；款识：瓜畴居士邵弥；书体：楷书；全文： 印记：邵弥、僧弥

主题:

主要主题：山水  主要主题：人物高士（士人、隐士） ；其他主题：人物侍从（侍女、童仆）童仆；其他主题：山水奇石湖石；其他主题：山水溪涧、湍泉溪涧；其他主题：树木竹 ；其他主题：树木柏 ；其他主题：器用文玩（琴棋书画）卷轴；其他主题：建筑栏杆 

技法:

写意 人物衣纹描法(粗细线条) 

参考资料:

收藏着录： 石渠宝笈三编（延春阁），第五册，页2094 收藏着录： 故宫书画录（卷六），第四册，页98 收藏着录： 故宫书画图录，第二十三册，页214-217 参考书目： 1.〈明邵弥竹石高士〉，收入国立故宫博物院编辑委员会编，《园林名画特展图录》（台北：国立故宫博物院，1987年十月初版），页82-83。 内容简介（中文）： 邵弥字僧弥，后以字行，号瓜畴，长洲（今江苏苏州）人，活动期间为十七世纪中期。性迂癖不谐俗，好学多才艺。于诗宗陶、韦，于草书出入大、小米，而楷法得锺繇法，逼进虞、褚。于画学荆、关，其山水清庾枯逸，閒情冷致、一如其人，兼长水仙兰石。为吴伟业画中九友之一。 画中高士坐于太湖石前，童子背负书卷前来。绿竹植于石后，苍柏立于道旁。此图用笔劲锐，画中布景以石为主，小径一转，景无多为而使人有空旷萧索之感。 内容简介（英文）： Shao Mi (fl. mid seventeenth century)Ming Dynasty This painting, executed with an emphatic, pointed brush, depicts a gentleman seated beneath a large, unusually shaped rock that dominates the composition. A servant boy carrying scrolls of calligaphy on his back ambles toward him. The vegetation in this work consists only of stalks of bamboo that shoot up from behind the rock and of a bushy cypress that grows beside the road. The small path zigzags, preventing the composition from appearing too sparse or empty. Shao Mi excelled in poetry, calligraphy, and painting and was noted for his depictions of narcissus, orchids, and rocks. He was influenced by the early tenth-century painters Ching Hao and Kuan T’ung. Shao was a reserved man of uncompromising tastes—a characteristic reflected in his equally aloof landscapes. A native of Ch’ang-chou (present-day Soochow), he is also known by his sobriquet, Kua-ch’ou (melon field).