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册(折装)

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本幅绢

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作者印记：陈字印（重十）
鑑藏宝玺：嘉庆御览之宝
鑑藏宝玺：嘉庆鑑赏
鑑藏宝玺：石渠宝笈
鑑藏宝玺：三希堂精鑑玺
鑑藏宝玺：宝笈三编
鑑藏宝玺：宜子孙
鑑藏宝玺：宣统御览之宝

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收藏着录： 石渠宝笈三编（延春阁），第五册，页2143 收藏着录： 故宫书画录（卷六），第四册，页102-103 收藏着录： 故宫书画图录，第二十四册，页158 参考书目： 1.刘芳如，〈清陈字婴戏锺馗〉，收入国立故宫博物院编辑委员会编，《迎岁集福 — 院藏锺馗名画特展》（台北：国立故宫博物院，1997年二月初版一刷），页154-156。2.王耀庭，〈陈字蜥蜴捕蜂〉，收入国立故宫博物院编辑委员会编，《草虫画特展图录》（台北：国立故宫博物院，1986年初版），页70。 内容简介（中文）： 陈字（西元一六三四年－？），浙江诸暨人，陈洪绶子。初名儒祯，小名鹿头，号小莲。书画绰有父风，性格孤傲，与世俗不相协调，客游所到，动辄与人违逆，而所得亦随手散尽。康熙五十二年（一七一三）前后，以穷困死，年约八十。着有《小莲客游诗》。本册十二开，举凡山水花果、爬虫貍猫，笔墨线条皆精细平整，颇富其父画风。在构图造型上充满天真稚拙之趣，尽现画家不落于俗的巧思。(20120103) 内容简介（中文）： 陈字（西元一六三四－？），浙江诸暨人，陈洪绶子。初名儒祯，小名鹿头，号小莲。书画绰有父风，性格孤傲，与世俗不相协调，客游所到，动辄与人违逆，而所得亦随手散尽。康熙五十二年（一七一三）前后，以穷困死，年约八十。着有小莲客游诗。本册十二开，举凡山水花果、爬虫貍猫，笔墨线条皆精细平整，颇富其父画风。在构图造型上，充满天真稚拙之趣，尽现画家不落于俗的巧思。 内容简介（英文）： Ch'en Tzu, a native of Chekiang, was the son of the famous painter Ch’en Hung-shou. In painting and calligraphy, he followed after his father. Proud and aloof by nature, he avoided visitors and left few paintings. He died of poverty sometime around 1713 with a collection of poetry to his name.This album is composed of 20 leaves and includes various subject matter, including the genres of landscape, flower, fruit, insect, and cat. The strokes are even, delicate, and accurate, much in the manner of Ch'en's father. In terms of the compositions, they reveal an intentionally naïve simplicity. This indicates that the artist avoided the skilled techniques of conventional painting for the pure beauty of brush and ink. 内容简介（英文）： Chen Zi (given name Ruzhen; nickname Lutou; style names Wuming, Mingru; sobriquet Xiaolian) was the son of the famous artist Chen Hongshou. Their styles of painting and calligraphy were very similar. Aloof by nature, Chen Zi did not get along with others, using up all his savings and dying of poverty around 1713 at around 80. His Poetry of Xiaolian the Stranger survives.This album consists of 12 leaves featuring an assortment of landscape, flower-and-fruit, and animal subjects. The lines of the brushwork are all exquisite and level, much in his father’s style. In terms of composition and forms, they are full of innocent simplicity, revealing the artist’s skill at avoiding conventions.(20120103)