书体:

色彩:

水墨

装裱形式:

册(折装‧方幅式)

创作时间:

文字类型:

质地:

本幅纸

释文:

印记资料:

鑑藏宝玺：嘉庆御览之宝
鑑藏宝玺：宣统御览之宝
收传印记：仪周珍藏

题跋资料:

题跋类别：作者款识；作者：恽寿平；题跋位置：本幅；款识：抽颖水声落。挥匠群峰奔。岚风夹众木。板屋聚幽樊。黄公不可见。豪墨两无言。今人摹子久。多欲相似。馀学子久。多不相似。然观世俗所谓是者。又未若馀之不似之似也。非起癡老而问之。谁能肯馀言耶。；书体：行书；全文：抽颖水声落。挥匠群峰奔。岚风夹众木。板屋聚幽樊。黄公不可见。豪墨两无言。今人摹子久。多欲相似。馀学子久。多不相似。然观世俗所谓是者。又未若馀之不似之似也。非起癡老而问之。谁能肯馀言耶。印记：寿平、正叔、梦墨斋

主题:

主要主题：山水  ；其他主题：山水溪涧、湍泉溪涧；其他主题：树木  ；其他主题：建筑房舍 

技法:

写意 皴法 皴法披麻皴

参考资料:

收藏着录： 石渠宝笈续编（宁寿宫），第五册，页2882 收藏着录： 故宫书画录（卷六），第四册，页124-125 收藏着录： 故宫书画图录，第二十四册，页44-47 参考书目： 1.陈昱全，〈清恽寿平高树村居〉，收入何传馨主编，《山水合璧：黄公望与富春山居图特展》（台北：国立故宫博物院，2011年五月初版一刷），页349-350。 内容简介（中文）： 恽寿平（1633-1690），江苏武进人。初名格，字寿平，后以字行。诗文为毘陵六逸之首，绘画与王时敏等人齐名，合称四王吴恽。自幼随伯父恽向学画，受其影响，很早就接触宋元文人画传统。用干笔简约勾勒山水树石，其中点缀土石平台和卵石矾头，表现静谧山居生活的一景。自识：「今人摹子久。多欲相似。馀学子久。多不相似。然观世俗所谓是者。又未若馀之不似之似也。」显示恽氏临古讲求意似而不细究形象和笔法上的雷同。(20110609) 内容简介（英文）： Yun Shouping (original name Ge, style name Shouping [by which he later went]) was a native of Wujin in Jiangsu. In poetry and prose, he was leader of the Six Gentlemen of Piling, achieving fame in painting equal to that of Wang Shimin and becoming part of a group known as the “Four Wangs, Wu, and Yun.” Learning painting from his uncle Xiang since childhood, he came under his influence and early was in contact with literati painting traditions of the Song and Yuan dynasties.Dry brushwork briefly outlines the mountain and tree forms, and flat outcroppings and round alum-head rocks dot the scenery, representing a scene of living serenely in the mountains. At the end of Yun Shouping’s inscription is the following passage: “People nowadays imitate Huang Gongwang, many seeking similarity [with this style]. In my study of Huang Gongwang, I mostly do not seek resemblance. So when looking at what passes for [imitations of Huang’s painting] today, they cannot compare to my ‘similarity of non-resemblance.’” This shows that Yun Shouping laid particular emphasis on resemblance to the idea without paying special attention to outward form or verisimilitude of brush method.(20110609)