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色彩:
水墨装裱形式:
册(推蓬装‧方幅式)创作时间:
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鑑藏宝玺:乾隆鑑赏题跋资料:
题跋类别:作者款识;作者:恽寿平;题跋位置:本幅;款识:春晓阁石间。石边老梅。湖曲归来。正携酒呼朋赏梅时矣。云溪外史寿平记。;书体:行书;全文: 印记:吹万、园客、寿平主题:
主要主题:花草梅(白.红.蜡梅) ;次要主题:山水奇石技法:
写意 皴法 苔点参考资料:
收藏着录: 石渠宝笈续编(重华宫),第三册,页1722 收藏着录: 故宫书画录(卷六),第四册,页128 收藏着录: 故宫书画图录,第二十四册,页74-77 参考书目: 1.刘芳如,〈清恽寿平礀石老梅〉,收入国立故宫博物院编辑委员会编,《画梅名品特展》(台北:国立故宫博物院,1991年元月初版),页99。 内容简介(中文): 恽寿平(西元一六三三-一六九○年),江苏武进人。初名格,字寿平,后以字行。家贫,不应科举,卖画为生。初善山水,及见王翬,度不能于过,于是舍而学花卉,一洗时习,独开生面,海内宗之,有常州派之称。 本幅「画湖山小景」册第八开,画老梅一枝,自石隙中伸出,枝枒劲挺,枝梢以迅急抖动之笔法写成,辅以左右开展之姿态,赋予画面蓬勃的生气与动感。树石全用水墨绘染,深浅浓淡之墨趣变化多端。 内容简介(英文): River Rock and Old Plum Tree Yün Shou-ping (1633-1690) Ch’ing Dynasty Yün Shou-p’ing (style name Cheng-shu; sobriquet Nan-t’ien) was a native of Wu-chin, Kiangsu. His original name was Ke, but was later known by his other style name, Shou-p’ing. His family was poor and he did not take the civil service examinations, instead selling paintings for a living. Yün Shou-p’ing initially excelled at painting landscapes, but realized after meeting the famous landscapist Wang Hui that he (Yün) could not surpass Wang. Yün Shou-p’ing thereafter gave up landscapes and began studying flower painting. Abandoning the contemporary fashion, he developed an original style, for which he was admired by everyone in what they praised as the Ch’ang-chou School. Depicted in this album leaf is a blossoming plum branch with forceful and upright twigs stretching out between rocks. The tips of the branches were rendered with extremely swift and trembling brushwork. Complemented by the bearing of the left and right developments in the composition, the painting is imbued with a sense of flourishing animation and movement. The tree and rock are painted completely using washes of monochrome ink with many different and interesting arrangements of sparse, thick, light, and dark ink.