书体:

色彩:

装裱形式:

册(蝴蝶装‧方幅式)

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质地:

本幅纸

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印记资料:

鑑藏宝玺：乾隆御览之宝
鑑藏宝玺：乾隆鑑赏
鑑藏宝玺：御书房鑑藏宝
鑑藏宝玺：嘉庆御览之宝
鑑藏宝玺：石渠宝笈
鑑藏宝玺：三希堂精鑑玺
鑑藏宝玺：宜子孙
鑑藏宝玺：宣统御览之宝

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收藏着录： 石渠宝笈初编（御书房），下册，页858 收藏着录： 故宫书画录（卷六），第四册，页129 收藏着录： 故宫书画图录，第二十四册，页48-51 参考书目： 1.王耀庭，〈清恽寿平摹古〉，收入王耀庭编，《青绿山水画特展图录》（台北：国立故宫博物院，1995年七月初版一刷），页96。2.陈昱全，〈清恽寿平倣黄公望天池石壁〉，收入何传馨主编，《山水合璧：黄公望与富春山居图特展》（台北：国立故宫博物院，2011年五月初版一刷），页350。 内容简介（中文）： 恽寿平（西元一六三三－一六九0年），初名格，字寿平，后以字行。家贫，不应科举，卖画为生。初善山水，及见王翬，度不能过，于是舍而学花卉，一洗时习，独开生面，海内宗之，有常州派之称。淡青绿设色的运用，元代赵孟頫最为杰出。本幅即是模仿赵孟頫。园中巨石，用石青薄罩，半透明中显露出一种清雅的气息。比对赵氏的名作「鹊华秋色图」，本幅确实是追踵其意。恽氏作品以疏秀见长，园中巨石所作的披麻皴法，笔调正足以代表，也是源自赵孟頫的「鹊华秋色图」。 内容简介（英文）： Yun Shou-p'ing used his style name Shou-p'ing in place of his original name Ko. Because his family was very poor, he was unable to prepare for the civil service examinations and painted for a living instead. At first he specialized in painting landscapes, but he realized that he could never surpass Wang Hui in this genre, so he decided to paint flowers and plants. He developed his own style, which was admired and imitated by other artists, and he became known as the founder of the Ch'ang-chou style. Of artists who painted landscapes with slight blue and green coloration, Chao Meng-fu of the Yuan dynasty is the most outstanding, and Yun Shou-p'ing entitled this leaf "In the Style of Chao Meng-fu." The enormous rocks surrounding the garden were painted with light layers of azurite. The translucency of the colored washes gives the painting an elegant, refined quality. In comparison with Autumn Colors on the Ch'iao and Hua Mountains by Chao Meng-fu, Yun Shou-p'ing's work was definitely inspired by Chao Meng-fu's. The hemp-fiber texture strokes in the rocks are representative of Yun Shou-p'ing's style, but also derived from Chao Meng-fu.