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册(蝴蝶装‧方幅式)创作时间:
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题跋类别:作者款识;作者:恽寿平;题跋位置:本幅;款识:师子久天池石壁;书体:行书;全文: 印记:寿平、正叔主题:
主要主题:山水 ;次要主题:山水江河、湖海江河;其他主题:山水溪涧、湍泉 ;其他主题:树木 ;其他主题:树木寒林.枯树枯树;其他主题:树木杨柳 ;其他主题:建筑水榭 ;其他主题:建筑桥 ;其他主题:船 ;其他主题:建筑房舍技法:
写意 皴法 苔点参考资料:
收藏着录: 石渠宝笈初编(御书房),下册,页858 收藏着录: 故宫书画录(卷六),第四册,页129 收藏着录: 故宫书画图录,第二十四册,页48-51 参考书目: 1.陈昱全,〈清恽寿平倣黄公望天池石壁〉,收入何传馨主编,《山水合璧:黄公望与富春山居图特展》(台北:国立故宫博物院,2011年五月初版一刷),页350。 内容简介(中文): 本幅构图布景依对角线安排,右侧上半描写实体山岳、左侧下半画江河水域。运用重复的侧笔干擦,加以细淡的轮廓线与皴染烘托出山体质面。画上自题:「师子久天池石壁」。山体由右下近景一层层地向左后方远景排列堆叠,逐渐开启朝向远景的透视,经由重组画面元素,巧妙地将黄公望〈天池石壁〉「垂直」竖立的山体,转化成左右「水平」式构图,山石累积布排的概念确实与黄公望山水契合。(20110609) 内容简介(英文): The compositional arrangement of this painting is arranged along a diagonal line, the upper right depicting solid mountain scenery and the lower left side showing the water of a river. With repeated slanted-brush dry texturing to which was added fine and light outlines as well as textured washes, they bring out the quality of the mountains. The artist’s inscription for the painting reads, “Following Huang Gongwang’s ‘Stone Cliff at Heavenly Pond.’” The mountain scenery builds up from the foreground in the lower right layer upon layer, creating arranged levels extending to the background on the left. The view gradually opens up to distant scenery. By restructuring the elements of the painting, the artist skillfully transformed the “vertical” mountains of Huang Gongwang’s “Stone Cliff at Heavenly Pond” into a “parallel” composition extending right to left. The idea of arranging accumulated landscape elements indeed accords with the landscapes of Huang Gongwang.(20110609)