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册(折装‧方幅式)创作时间:
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收传印记:宋致审定题跋资料:
题跋类别:作者款识;作者:恽寿平;题跋位置:本幅;款识:个菴四长兄见此册。辄效米癫。据舷故事。昔东坡先生云。有能岁致十斛米。为吾疗饥。即以归之。庶几此意。然予与个菴昵好馀二十年。勿敢吝也。;书体:行书;全文: 印记:寿平主题:
主要主题:花草茶花二色技法:
工笔 没骨参考资料:
收藏着录: 石渠宝笈初编(御书房),下册,页743-744 收藏着录: 故宫书画录(卷六),第四册,页131 收藏着录: 故宫书画图录,第二十四册,页58-61 参考书目: 1.〈清 恽寿平 山茶〉,收入谭怡令、刘芳如、林莉娜主编,《满庭芳 历代花卉名品特展》(台北:国立故宫博物院,2010年十二月初版一刷),页48。 内容简介(中文): 恽寿平(1633-1690),师北宋徐崇嗣(10世纪后半)没骨法,又据己意写生,为清代花卉宗师。绘单瓣野生种茶花,花大而艳丽。山茶每于冬至、初春季节转换间开花,花色繁复。枝叶没骨写之,以汁绿点画,并以较深色泽钩画筋脉轮廓。花卉形象自然生动,赋色明丽,笔法沉稳,格调古雅。据其题跋「予与个菴四兄,方将研求性学。宴坐经行之暇,不废点染。常恐含丹吮粉,坠先儒玩物之讥。己思一草一木,皆有是理。」所谓是好友相聚,人閒花好。本幅选自<清恽寿平摹古册>。(20110102) 内容简介(英文): Yun Shouping, a native of Wujin (modern Changzhou) in Jiangsu, studied the “boneless” style of wash painting practiced by the Northern Song master Xu Chongsi (fl. latter half of 10th c.). He also formed his own manner of “sketching from life,” becoming a master of flower painting in the Qing dynasty.This painting depicts a single-petal variety of wild camellia, the flowers both large and beautiful. Annually in midwinter and early spring, during the change of seasons, the camellia comes into bloom with its strong colors. Here, the stems and leaves have been rendered in the “boneless” method of washes, using vegetable green for painting with darker hues to delineate the veins and outlines. The image of the blossoms is natural and lively, the colors bright and beautiful. The brushwork is steady and the manner classical. The inscription on the left reads, “Fourth elder Ge’an and I studied Neo-Confucianism together. We quietly put it into practice during our free time and did not idle away in painting. However, I fear the criticism of paying excess attention to things as admonished by Confucians of the past. Pondering every tree and plant, each has its order.” It indicates that these friends gathered and enjoyed flowers in their leisure. This work comes from Yun Shouping’s “Album of Imitating Antiquity.”(20110102)