书体:

色彩:

浅设色

装裱形式:

册(推蓬装‧方幅式)

创作时间:

文字类型:

质地:

本幅纸

释文:

印记资料:

题跋资料:

题跋类别：作者款识；作者：恽寿平；题跋位置：本幅；款识：何须犯斗槎。玲珑望瑶阙。骑云上紫薇。秋空摘明月。云溪懒渔。；书体：行书；全文： 印记：云溪渔父、寿平印、正叔

主题:

主要主题：山水夜景（月景） 主要主题：花草紫薇 ；其他主题：山水烟、雾雾

技法:

写意 没骨 

参考资料:

收藏着录： 故宫书画录（卷六），第四册，页135-137 收藏着录： 故宫书画图录，第二十四册，页138-141 参考书目： 1.〈清　恽寿平　秋空摘月〉，收入谭怡令、刘芳如、林莉娜主编，《满庭芳　历代花卉名品特展》（台北：国立故宫博物院，2010年十二月初版一刷），页134。 内容简介（中文）： 恽寿平（1633-1690），原名格，字寿平，后以字行，江苏武进人。初善作山水，因自谦无力与王翬（1632-1717）争胜，遂改工花卉。画法承自徐崇嗣（10世纪后半）之没骨法，又参以己意，风格独创，蔚为清代花卉画宗师。 本幅选自＜写生花卉册＞，画紫薇花显现在烟岚中，后衬以当空的皓月，不但展现花卉之美，也表现月之清朗，将情境带入画幅中，是构景时的另一选择。且特以墨色描绘紫薇，仅明月加染藤黄，以突显月夜的气氛，更为别致。(20110102) 内容简介（英文）： Yun Shouping originally had the name Ge and the style name Shouping, by which he later went. A native of Wujin in Jiangsu, he at first excelled at landscape painting but later felt that he could not compete with the master Wang Hui (1632-1717), turning to flowers instead. His style derives from the “boneless” method of washes used by Xu Chongsi (fl. latter half of 10th c.), but with his own interpretation as well. With his unique style, Yun Shouping became a master of flower painting in the Qing dynasty.This leaf, which comes from “Album of Flowers Sketched from Life,” depicts branches of crape myrtle emerging from mists against a sliver of bright moon looming in the background. Not only does this work highlight the beauty of blossoms, it also expresses the luminous clarity of the moon. Imbuing a painting with a lyrical realm is another choice when an artist composes an arrangement. Also special here is the use of monochrome ink to depict the crape myrtle, with only the moon rendered in washes of gamboges yellow to bring out the atmosphere of a moonlit night with even greater refinement.(20110102)