书体:

色彩:

水墨

装裱形式:

册(推蓬装‧方幅式)

创作时间:

文字类型:

质地:

本幅纸

释文:

印记资料:

题跋资料:

题跋类别：作者款识；作者：恽寿平；题跋位置：本幅；款识：千点尚含僊洞雨。一枝疑是美人簪。白云溪隐渔。；书体：行书；全文： 印记：叔子、寿平

主题:

主要主题：花草桃花 

技法:

写意 没骨 

参考资料:

收藏着录： 故宫书画录（卷六），第四册，页135-137 收藏着录： 故宫书画图录，第二十四册，页138-141 参考书目： 1.〈清　恽寿平　山桃〉，收入谭怡令、刘芳如、林莉娜主编，《满庭芳　历代花卉名品特展》（台北：国立故宫博物院，2010年十二月初版一刷），页100。 内容简介（中文）： 恽寿平（1633-1690），原名格，字寿平，后以字行，江苏武进人。初善作山水，因自谦无力与王翬(1632-1717)争胜，遂改工花卉。画法承自徐崇嗣（10世纪后半）之没骨法，又参以己意，风格独创，蔚为清代花卉画宗师。本幅选自＜写生花卉册＞。折桃花一枝构景，是常见的折枝式构图方式。其中桃枝挺立，向左斜出，确有自题中所说：「一枝疑是美人簪。」的神态。桃花向以娇美粉嫩的容颜着称，此处却以水墨来表现，更觉清新雅致。(20110102) 内容简介（英文）： Yun Shouping originally had the name Ge and the style name Shouping, by which he later went. A native of Wujin in Jiangsu, he at first excelled at landscape painting but later felt that he could not compete with the master Wang Hui (1632-1717), turning to flowers instead. His style derives from the “boneless” method of washes used by Xu Chongsi (fl. latter half of 10th c.), but with his own interpretation as well. With his unique style, Yun Shouping became a master of flower painting in the Qing dynasty.This leaf comes from “Album of Flowers Sketched from Life.” The scene depicts a branch of peach using the commonly seen “broken-branch” method of composition. The peach branch shown here stands upright and spreads out to the left, as suggested in the spirit of the artist’s own inscription, which states, “The branch personified as a beauty’s hairpin.” The peach blossom has always been regarded as a symbol of charming and tender feminine beauty. Here it has been rendered using monochrome ink, giving this work a pure and fresh elegance of refinement.(20110102)