书体:

色彩:

水墨

装裱形式:

册(经折装)

创作时间:

文字类型:

质地:

本幅纸

释文:

印记资料:

鑑藏宝玺：乾隆御览之宝
鑑藏宝玺：养心殿鑑藏宝
鑑藏宝玺：石渠宝笈
鑑藏宝玺：三希堂精鑑玺
鑑藏宝玺：宜子孙

题跋资料:

题跋类别：作者款识；作者：文点；题跋位置：本幅；款识：彭泽初罢官。浔阳称隐逸。偶来抚孤松。翛然忘忻戚。；书体：行书；全文： 印记：竺坞草庐

主题:

主要主题：经史‧故事 陶渊明主要主题：山水  ；次要主题：人物高士（士人、隐士）隐士；陶潜；次要主题：树木  ；其他主题：山水江河、湖海 ；其他主题：花草 草

技法:

工笔 写意 皴法 人物衣纹描法(匀称线条) 

参考资料:

收藏着录： 石渠宝笈初编（养心殿），上册，页503 收藏着录： 故宫书画录（卷六），第四册，页140 收藏着录： 故宫书画图录，第二十四册，页150-153 内容简介（中文）： 文点（西元一六三三－一七０四年），长洲（江苏苏州）人。文征明后裔。为人清介，不求闻誉。工诗文，善书画。山水能传文氏家法，兼善人物，尤长松竹小品。 本幅选自文点「诗意图」册第一幅，取〈归去来辞〉中「抚孤松而盘桓」之意而成。图中陶渊明倚松坐石，凝眸驻耳，似与大自然合为一体。世传，文点画松极好点苔，此画虽仅盈尺，而松树干枝细点密布。全作笔细墨秀，为一文雅小品。 内容简介（中文）： 文点（西元一六三三－一七０四年），清代长洲人（今江苏苏州）。文征明（一四七０－一五五九）子孙。工诗文，善画画。山水能传文氏家法，用笔细秀，墨韵亦佳。兼善人物，尤长松竹小品，笔墨极其文雅，为人清介，不求闻誉，以书画自娱给衣食。 此图取「归去来辞」中「抚孤松而盘桓」题意作画。渊明凝眸驻耳，似与大自然结合成一体。世传文点画松极好点苔，此画虽仅盈尺，松干松枝，犹见细密小点，而画笔精致，秀丽是其特色。 内容简介（英文）： After a Poem Wen Tien (1633-1704) Ch’ing Dynasty (1644-1911) This scene depicts the line from T’ao Yuan-ming’s poem Returning Home that reads “Lingering to caress a solitary pine.” T’ao sits listening and watching as if he were at one with his natural surroundings. Extant paintings by Wen Tien reveal his aptitude for painting pines and demonstrate his fondness for using small ink dotting of “moss,” and here the trunk and branches of the tree are covered with this fine patterning. After a poem, although less than a square foot in size, stands out for its especially beautiful inkwork. Wen Tien, a native of Ch’ang-chou (present-day Soochow, Kiangsu), was a descendant of the famous artist Wen Cheng-ming (1470-1559). An accomplished poet and writer, he also excelled at painting and calligraphy. Wen’s landscapes were executed in the fine brushwork characteristic of his family’s style, and he created figure paintings and small scenes of pines and bamboo rendered in carefully wrought ink. Wen was furthermore known as a man of fine character who did not seek public recognition but merely sought to amuse himself and earn a small living with his skills as a painter and calligrapher. 内容简介（英文）： Wen Tien, a native of Soochow, was a descendant of Wen Cheng-ming. Excelling at calligraphy and painting, his landscapes followed the family style, and he painted figures and especially small scenes of pines and bamboo. This is the 1st leaf of Wen Tien’s album poetic Illustrations and represents a line from T’ao Yuan-ming’s Homecoming; “Lingering to caress a solitary pine.” T’ao appears here listening and viewing as if at one with his natural surroundings. Extant works by Wen Tien reveal his preference for painting pines and using “moss” dots. Despite the size of this work, pine branches are rendered with intricate detail. The delicate brushwork makes this small, elegant work stand out even more.