书体:

色彩:

设色

装裱形式:

册(折装‧方幅式)

创作时间:

文字类型:

质地:

本幅绢

释文:

印记资料:

题跋资料:

题跋类别：作者款识；作者：王原祁；题跋位置：本幅；款识：臣王原祁恭画；书体：楷书；全文： 印记：臣原祁

主题:

主要主题：山水  ；其他主题：山水江河、湖海江河；其他主题：树木  ；次要主题：树木松 ；其他主题：树木竹 ；其他主题：树木枫树．槭树枫树；其他主题：建筑房舍 ；其他主题：建筑亭 

技法:

皴法 

参考资料:

收藏着录： 石渠宝笈初编（御书房），下册，页857 收藏着录： 故宫书画录（卷六），第四册，页145 收藏着录： 故宫书画图录，第二十四册，页180-183 内容简介（中文）： 王原祁（西元一六四二至一七一五年），字茂京，号麓台，一号石师道人。江苏太仓人，王时敏之孙。康熙十九年中进士，官至户部侍郎，人称王司农。登第后专心学画，颇能继承祖法，于黄公望浅绛尤为独绝，成就了娄东派，与王时敏，王鑑、王翬并称四王。这幅山水是王原祁五十九岁的作品，一河两岸，景物幽淡萧散，纯是摹仿云林之意，唯其运笔使墨全然自家法门，当是麓台经意之作。 内容简介（英文）： Wang Yűan-ch’i, style name Mao-ch’ing, sobriquets Lu-t’ai and Shih-shih tao-jen, was a native of T’ai-ts’ang, Kiangsu Province. He was the grandson of the reknowned painter Wang Shih-min. After passing the chin-shih examination during the reign of the K’ang-hsi Emperor, he served as a vice-minister of revenue and became known as Wang Ssu-nung. After reaching a certain level in the bureaucracy, he devoted himself to painting. He closely followed the style of his forebears, and employed the light coloring techniques of the Yűan Dynasty master, Huang Kung-wang. Wang was the originator of the Lou-tung School, and Wang Yűan-ch’i, Wang Shih-min, Wang Chien and Wang Hui are collectively known as the “Four Wangs”This landscape was painted when Wang Yűan-ch’i was fifty-eight years old. Painted in the “one river, two banks” format, this melancholy and barren scene is reminiscent of the works of Ni Tsan. However, the brushwork is in Wang’s personal style. This is truly a carefully executed painting.