书体:

色彩:

设色

装裱形式:

册(折装)

创作时间:

文字类型:

质地:

本幅绢

释文:

印记资料:

题跋资料:

主题:

主要主题：果蔬樱桃 主要主题：翎毛桑鸤 ；其他主题：花草  

技法:

工笔 

参考资料:

收藏着录： 石渠宝笈三编（御书房），第七册，页3209 收藏着录： 故宫书画录（卷六），第三册，页163 收藏着录： 故宫书画图录，第二十五册，页140-143 参考书目： 1.谭怡令，〈清郎世宁樱桃桑鸤〉，收入谭怡令编，《画?珍禽》（台北：国立故宫博物院，1988年十月初版），页95。 内容简介（中文）： 郎世宁（西元一六八八至一七六六年），意大利耶稣会士，善画，兼能建筑设计，于清康熙五十四年（一七一五）来华传教，召入内廷为画院供奉，历仕三朝。画法参酌中西，善写生。人物、花鸟，奕奕有神，尤工画马。郎氏初本欲将西法输入中国，因不为清帝所喜，遂创折衷画法。一时从之学者甚众。流风至今未绝。卒年七十八。 图绘樱桃干上，二桑鸤栖止。敷色浓豔，层次分明，阴阳向背皆备。翎毛之用笔，尤其精细，毛色丰润，似突显跃然于纸面。本幅为郎世宁「仙萼长春」册第八开。 内容简介（英文）： Giuseppe Castiglione, Chinese name Lang Shih-ning, was an Italian Jesuit, who is perhaps better known as an artist and an architectural designer than as a missionary. He came to China in 1715 to proselytize, but was summoned to the Imperial Painting Academy in the Inner Court, where he served three emperors. Castiglione originally painted with a primarily European flavor, but as this did not meet with imperial favor, he created a hybrid style that incorporated both Eastern and Western techniques. He excelled at painting from life, and is noted for his renditions of figures, flowers, and birds, and especially for his paintings of horses. He had many followers, and is popular to this day. This painting of a pair of grosbeaks perched in the branches of a cherry tree is the eighth leaf from Castiglione’s album Immortal Calyxes, Eternal Spring. Brilliantly tinted in subtle layers of color, the birds are limned in a spectrum of contrasting hues that range from lustrous pale shades to charcoal black. The meticulously defined inkwork of the birds’ glossy feathering makes them appear three-dimensional.