书体:

色彩:

水墨

装裱形式:

册(折装‧方幅式)

创作时间:

文字类型:

质地:

本幅纸

释文:

印记资料:

题跋资料:

题跋类别：作者款识；作者：钦揖；题跋位置：本幅；款识：梅本洁白。今反以墨为之。然前辈多有是法。亦重意不重像之道也。揖。；书体：行楷书；全文： 印记：揖

主题:

主要主题：花草梅（白．红．蜡梅） 

技法:

写意 

参考资料:

收藏着录： 石渠宝笈初编（养心殿），上册，页497-498 收藏着录： 故宫书画录（卷六），第四册，页99 收藏着录： 故宫书画图录，第二十四册，页34-39 参考书目： 1.刘芳如，〈清钦揖摹古〉，收入国立故宫博物院编辑委员会编，《画梅名品特展》（台北：国立故宫博物院，1991年元月初版），页100。 内容简介（中文）： 钦揖，吴县（今江苏苏州）人。字远猷；性孤癖，寓居僧舍，终身不娶。学古通经，书法欧褚。山水韵秀。着有画解一书。 墨梅一枝，或含苞，或盛开。笔墨均极单纯，疏朗中正如题款，画来重意不重像。画梅至明清，已具象征意义，代表君子孤高情怀，虽是一枝数朵，情意不减繁花重重。 本幅为「摹古册」第十二开。 内容简介（英文）： Imitating the AncientsCh’in ICh’ing Dynasty (1645-1911) Ch’in I (style name Yüan-yu) was a native of Wu-hsien (modern Soochow, Kiangsu). Aloof by nature, he lived in a monk’s and never married. Studying the ancients and versed in the Chinese Classics, Ch’in I followed the calligraphic styles of Ou-yang Hsün (557-641) and Ch’u Sui-liang (596-658). His landscapes are harmonious and elegant. Ch’in I was the author of Hua-chieh (Views on Painting). In this album leaf done in monochrome ink is a plum branch with some buds and blossoms. The ink and brushwork are both extremely pure and clear, just as described in the artist’s inscription which states that the painting emphasizes ideas and not forms. By the Ming (1368-1644) and Ch’ing (1645-1911) dynasties, plum blossom painting already had symbolic significance, representing the solitary and lofty sentiment of the man of integrity. Though this painting only includes a single branch with a few blossoms, this sentiment is no less present than had there been numerous intricate blossoms.