书体:

色彩:

设色

装裱形式:

册(折装‧方幅式)

创作时间:

文字类型:

质地:

本幅绢

释文:

印记资料:

鑑藏宝玺：嘉庆御览之宝
收传印记：尚义阴景万记

题跋资料:

主题:

主要主题：经史‧故事 孝经。诸侯章。主要主题：人物帝王 主要主题：车兽力车 主要主题：人物官员（臣）诸侯；次要主题：人物侍从（侍女、童仆） ；次要主题：人物军士 ；次要主题：人物百姓 ；次要主题：走兽马 

技法:

工笔 人物衣纹描法(粗细线条) 

参考资料:

收藏着录： 石渠宝笈初编（御书房），下册，页865 收藏着录： 故宫书画录（卷六），第四册，页164 收藏着录： 故宫书画图录，第二十八册，页34-41 参考书目： 1.林莉娜，〈高宗书孝经马和之绘图-士章〉，收入国立故宫博物院编，《宋代书画册页名品特展》（台北：国立故宫博物院，1995年初版一刷），页274-276。2.林莉娜，〈「七十件书画册页名品特展」精选(七) — 高宗书孝经马和之绘图—士章〉，《故宫文物月刊》，第153期（1995年12月），页82-85。 内容简介（中文）： 《孝经》为宣扬孝道和孝治思想的儒家经典，此图册将孝亲推广至立身、事君，由不同阶层角度，来描绘孝道的表现。原书画本为手卷，后改装成册。册后有宋逢丑及赵孟頫诸跋，皆肯定书法出于高宗。元夏元彦尝云：「高宗每书毛诗三百篇，令和之图写」，故后人多将此类教化题材归于马和之所作。然细审其画风，则近似南宋院画家李唐、萧照等人。本件选自第五幅。 内容简介（英文）： The classic of Filial Piety is exalted as the major text regarding the principle of filial piety in Confucian thought. This album illustrates the chapter describing how filial relations produce a strengthened self and furthermore emphasizes the ways in which proper relations between ruler and subject lead to virtuous behavior and a harmonious society. The painting and calligraphy were originally in the form of a hand scroll, later being cut apart into album leaves. Following the album are colophons by Sung Feng-ch'ou and Chao Meng-fu (1254-1322), who confirm the calligraphy as coming from the hand of emperor Kao-tsung. Furthermore, Hsia Yüan-yen of the Yüan dynasty (1279-1368) wrote, "Kao-tsung copied out The Classic of Filial Piety three hundred times and ordered Ma Ho-chih to make illustrations." When later connoisseurs encountered such didactic paintings, they often ascribed them to Ma. However, close examination of these paintings reveals them to be closer in style to that Li T'ang and Hsiao Chao, two other leading court painters of the mid-12th century. The fifth leaf from the album is illustrated here.