书体:
色彩:
设色装裱形式:
册(折装‧方幅式)创作时间:
文字类型:
质地:
本幅绢对幅纸本释文:
印记资料:
鑑藏宝玺:石渠定鑑题跋资料:
题跋类别:题签; ;书体:楷书;全文:关同两峰插云主题:
主要主题:山水 主要主题:山水云 ;其他主题:树木松 ;其他主题:树木 ;其他主题:建筑房舍 ;其他主题:山水江河、湖海技法:
皴法 写意参考资料:
收藏着录: 石渠宝笈续编(重华宫),第三册,页1679 收藏着录: 故宫书画录(卷六),第四册,页187 收藏着录: 故宫书画图录,第二十八册,页164-169 内容简介(中文): 关仝(约公元九五0前后),陜西长安人,画山水师法荆浩。所画多为西北关陕一带风景,雄浑峻拔。前人评论其作品,笔愈简而气愈壮,景愈少而意愈长。唯不善人物,画中人物,多由学生胡翼代笔。本幅绘两峰壁立,祥云四环。壁下偃松与丛树交叠之间,有数家房舍,壁后山峦江河一路延展。在平远的构图中,以低矮的山脚房树与远山,来突出主峰的硕高。复以细若牛毛的皴纹,绵绵理出峰壁间架,是以柔表刚的意匠。以画风论,颇有晚明韵味。 内容简介(英文): Two clifflike peaks rise up to the clouds; below them stretch a river and a range of mountains. In this type of composition, called "level distance," the two central peaks tower over the diminutive houses, trees, and distant mountains at their feet. Structurally the cliffs are composed of densely applied texture-strokes as thin as the hair of cattle--a delicate technique here used to create a feeling of strength. Stylistically, this painting has a flavor characteristic of late Ming works. Kuan T'ung was from Ch'ang-an, Shensi; the magnificent scenery of the northwest part of this province frequently figures in his paintings. His landscape instructor was Ching Hao. It has often been remarked of Kuan's paintings that the simpler the brushwork, the stronger the painting; the less depicted, the greater its significance. Since human figures were not Kuan's forte, when they appear in his paintings they are usually the work of his pupil Hu I.