书体:

色彩:

设色

装裱形式:

册(折装‧椭圆幅式)

创作时间:

文字类型:

质地:

本幅绢对幅纸

释文:

印记资料:

鑑藏宝玺：五福五代堂宝
鑑藏宝玺：太上皇帝之宝
鑑藏宝玺：八征耄念之宝

题跋资料:

题跋类别：题签；    赵伯骕风檐展卷

题跋类别：题跋；作者：清高宗对幅 ；书体：行书；全文：（乾隆辛亥御题。诗文不录。）印记：八征耄念之宝、自强不息

主题:

主要主题：建筑斋馆 ；次要主题：人物高士（士人、隐士） ；次要主题：人物侍从（侍女、童仆） ；次要主题：树木松 ；其他主题：山水溪涧、湍泉溪涧；其他主题：人物仕女 ；其他主题：树木  ；其他主题：树木竹 ；其他主题：花草藤萝 ；其他主题：建筑桥 ；其他主题：建筑池水 ；其他主题：建筑栏杆 ；其他主题：器用饮食器 ；其他主题：器用家俱（屏风）屏风。榻；其他主题：器用文玩（琴棋书画）书

技法:

工笔 界画 皴法 皴法斧劈皴人物衣纹描法(匀称线条) 

参考资料:

收藏着录： 石渠宝笈续编（重华宫），第三册，页1681 收藏着录： 故宫书画录（卷六），第四册，页203 收藏着录： 国宝的形成-书画菁华特展，页142-145、312 参考书目： 1.国立故宫博物院编辑委员会，〈赵伯骕风簷展卷〉，收入国立故宫博物院编辑委员会编，《界画特展图录》（台北：国立故宫博物院，1986年初版），页56-57。2.林莉娜，〈风檐展卷〉，收入何传馨主编，《文艺绍兴：南宋艺术与文化‧书画卷》（台北：国立故宫博物院，2010年十月初版一刷），页386-387。 内容简介（中文）： 敞空方亭内文士右持羽扇，左倚凭几，神态悠闲。仕女凭栏而立，侍僮手执茶盘、托、碗，一人手提茶瓶行来。画中家具造型挺秀简洁，亭内画屏前设卧榻，漆桌上置书卷、瓷瓶、香炉。图中室内设计极精简，其中部分建筑构造，兼具坐椅功能。傍山临水庭院湖石点缀，长松修竹环抱，为最佳的纳凉避暑地。此图营造出文人理想燕居之室。题签订为赵伯骕（1124─1182），善山水人物，界画尤精。(20101015) 内容简介（中文）： 赵伯骕（西元一一二四—一一八二年）南宋画家，宋太祖七世孙，善画山水人物，尤精于花鸟、界画。图画园林屋室，苍松翠竹，湖石点缀其间，敞轩内一文士坐几榻上，意态悠闲，旁间仕女二人凭轩而立，庭前曲槛，二僮相互交谈，白衣侍僮手执茶盘，上置黑漆茶托、茗瓯以及茶瓶，朝向屋内行来。画中为宋人生活形式，点茶、挂画、插花、焚香宋代生活四艺，于此呈现无遗。 内容简介（中文）： 赵伯骕（西元1124─1182年），字希远。善山水人物，界画尤精。园中敞轩山峦环抱，庭院点景丰富，青松、小径、曲槛、水池，配以林阜竹石，景物清幽。士人右手持羽扇坐于小榻上。后窗仕女二人，另有两童执茗瓯茶具行来。亭内塌上别设有凭几、小座屏风（枕屏），后有大画屏。榻为如意足，座面为藤编织物。榻前摆设条桌，条桌两腿足间有双枨，上置书卷、胆瓶。敞轩一面壁上则悬置两画。画中家具为典型宋代样式，有学者怀疑此图近似明代仇英之画风，然尚无定论。 内容简介（英文）： Chao Po-su (style name Hsi-yüan) excelled at painting landscape, figures, and especially ruled-line subjects. In the middle of this garden scene is a pavilion surrounded by hills. The elements of a quiet and peaceful courtyard abound, including a pine tree, small path, curved railings, pond, and accompanying trees, bamboo, and rocks. Under the pine stands an open pavilion, in which a scholar sits on a small daybed. At the rear window are two servant girls as two other servants bring tea utensils.Sets on the mat in the pavilion are a learning table and a small standing screen (also known as a “bed screen”), and behind is a large painted screen. The platform has scepter-shaped legs and a woven mat. In front of the platform is a high, narrow table with corner legs and double stretchers between the legs. On this table are books, scrolls, and a bottle, while two paintings can be viewed suspended on the wall. Some scholars believe that the style of this painting resembles that of Ch'iu Ying (ca. 1494-1552), but this must await further research . The furniture in this painting, however, is typical of the Sung dynasty. 内容简介（英文）： Chao Po-su was a Southern Sung painter and the seventh-generation descendant of Emperor T'ai-tsu. He excelled at landscapes and figures, especially birds-and-flowers and ruled-line subjects.In this work is a building in a garden setting with ornamental rocks, craggy pines, and verdant bamboo. A scholar sits in the open building on a daybed in an elegant and leisurely manner. In the hall to the side stand two ladies. Two attendants are also engaged in conversation on a bridge in front of the garden. The one wearing white holds a tea dish with a black-lacquered tea saucer, tea bowl, and teapot as he heads for the building. Nothing is missing here from the four scholarly arts of leisure in the Sung-tea, painting, flowers, and incense. 内容简介（英文）： Inside a spacious rectangular pavilion is a scholar gazing in leisurely refinement as he holds a feather fan in his right hand with his left arm resting on a stand. Ladies stand by the railing as a young attendant carries a tea tray, saucer, and cup, while another holds a tea jar. The furniture depicted in the painting is simple yet elegant, and a daybed is set up in front of the painting screen. On the lacquered table are books and scrolls, a bottle, and an incense burner. The design of the interior is quite abbreviated, with some of the architectural forms also serving as seating.By the side of a hill and facing the water is a courtyard dotted with garden rocks surrounded by tall pines and slender bamboo, making for an ideal place to cool off in summer. This painting recreates the ideal architectural setting of a refined scholar. The label ascribes this work to Zhao Bosu, who was gifted at landscape and figure painting and especially ruled-line subjects.(20101015)