书体:

色彩:

设色

装裱形式:

册(折装‧椭圆幅式)

创作时间:

文字类型:

质地:

本幅绢对幅绢

释文:

印记资料:

收传印记：张笃行印（半印）

题跋资料:

题跋类别：题签； 裱纸 ；书体：楷书；全文：艾宣写生罂粟。

题跋类别：题跋；作者：宋高宗对幅 ；书体：楷书；全文：长春殿前长春花。万岁千秋开如霞。连理一枝禀受异。东君进入吾皇家。印记：御书

主题:

主要主题：花草罂粟 

技法:

工笔 双钩 

参考资料:

收藏着录： 石渠宝笈续编（干清宫），第一册，页513 收藏着录： 故宫书画录（卷六），第四册，页211 收藏着录： 故宫书画图录，第二十八册，页246-255 参考书目： 1.何传馨，〈书长春花诗〉，收入何传馨主编，《文艺绍兴：南宋艺术与文化‧书画卷》（台北：国立故宫博物院，2010年十月初版一刷），页345。 内容简介（中文）： 杨皇后（1162-1233）出身不详，《宋史》记载因姿容选入宫中，后获宁宗（1195-1224在位）宠幸，协助宁宗治理国事，权倾一时。杨皇后虽然出身低微，在文学与书法艺术上却有一番积极修为。她书法高宗，特别是草、行、楷体，获得时人讚赏。此幅用笔匀圆丰腴，捺笔迟重，转折偏圆，结体扁阔而疏朗，与高宗确有相似处。同类风格也见于此次展品马远〈华灯侍宴〉上方题字，属杨皇后晚年，由纤秀转为丰润的书风。(20101015) 内容简介（英文）： Empress Yang’s biography is unknown, but the official History of the Song records her as has having been chosen for the palace on account of her looks. Later, she became the favorite of Emperor Ningzong (r. 1195-1224), assisting him in matters of state and exerting considerable power at the time.Although Empress Yang reportedly came from humble origins, she theless was able to achieve considerable cultivation in the arts of literature and calligraphy. In the latter, her style was based on that of Emperor Gaozong, and she especially excelled at cursive, running, and regular scripts, much to the praise of her contemporaries. In this work, her brushwork is full and evenly rounded with some hesitation to the right-falling strokes. Turns in the brushwork tend to be rounded, making the characters broad and open to reveal places indeed similar to the style of Gaozong. The same manner of calligraphy also appears in the inscription at the top of Ma Yuan’s “Imperial Banquet by Lantern Light” in this exhibit. Belonging to Empress Yang’s late years, her graceful style of calligraphy has become noticeably smooth and plump.(20101015)