书体:

色彩:

水墨

装裱形式:

册(折装‧方幅式)

创作时间:

文字类型:

质地:

本幅绢对幅纸

释文:

印记资料:

鑑藏宝玺：嘉庆鑑赏
鑑藏宝玺：三希堂精鉴玺
鑑藏宝玺：宜子孙

题跋资料:

题跋类别：作者款识；作者：王冕；题跋位置：本幅；款识：元章  印记：竹斋图书题籤    王冕幽谷先春

题跋类别：题跋；作者：清仁宗对幅 ；书体：楷书；全文：御笔分题行书（嘉庆甲子新正上濣。诗文不录）印记：嘉、庆

主题:

主要主题：花草梅（白．红．蜡梅） 

技法:

写意 

参考资料:

收藏着录： 故宫书画录（卷六），第四册，页217 收藏着录： 石渠宝笈三编（圆明园清晖阁），第八册，页3650 收藏着录： 故宫书画图录，第二十九册，页266-275 参考书目： 1.刘芳如，〈元王冕幽谷先春〉，收入国立故宫博物院编辑委员会编，《画梅名品特展》（台北：国立故宫博物院，1991年元月初版），页85-86。 2.〈元　王冕　幽谷先春〉，收入谭怡令、刘芳如、林莉娜主编，《满庭芳　历代花卉名品特展》（台北：国立故宫博物院，2010年十二月初版一刷），页190。 内容简介（中文）： 王冕（西元一二八七—一三五九年），浙江诸暨人。字元章，号煮石山农，又号老村、竹堂及会稽外史。幼贫好读书，潜入学听诸生讲诵，暮返遂亡其羊，为父所逐。因走依佛寺，夜坐佛膝上借长明灯读书。会稽韩性异之，录为弟子。明经取科第不中，遂放旷江海间，士之负才气者争与交。平生善画竹石，尤工墨梅，不减扬补之。此帧画老梅横斜，枝条迸出，寒花累累，傲骨凌凌。以飞白笔写梅干，用笔硬挺而有风神，生意盎然。花则含苞、绽放各具姿态。通幅以淡墨烘染，更突显梅花清冷之美。 内容简介（中文）： 王冕（1287-1359），浙江诸暨人。字元章，号煮石山农、饭牛翁、閒散大夫。能诗善画，特擅墨梅。此帧选自＜集古名绘册＞，画老梅一枝，从幅左下横斜而出，以湿水浓墨，具草书飞白趣味的笔意写梅花树干，细枝从旁迸出，上生繁花。用笔硬挺而有风神，梅花朵朵生意盎然，各具姿态。呈现典型书画合一的文人画风。通幅以淡墨烘染，梅花处留白，这种「倒晕法」更显累累寒梅一派傲骨凌凌的清冷之美。(20110102) 内容简介（英文）： Wang Mian, a native of Zhuji in Zhejiang, had the style name Yuanzhang and the sobriquets Zhuji shannong, Fanniu weng, and Xiansan dafu. Gifted at poetry and painting, he specialized at painting plum blossoms in ink.This work, chosen from “Album of Collected Ancient Famous Paintings,” depicts part of an old plum tree in bloom extending diagonally from the lower left part of the composition. With liberal washes of water and touches of dark ink, the brush manner has the effect of “flying white” broken strokes found in cursive-script calligraphy. It depicts the branches of the plum tree with tender shoots sprouting off to the side bursting into life with numerous blossoms. The brushwork is firm yet spirited, the blossoms full of life and shown in various poses. This is a typical example of the literati painting ideal of combining painting and calligraphy. The entire work has been done in light ink and washes, the background left blank to suggest the white of the blossoms. This type of “reverse saturation method” even further brings out the chilly beauty of plum blossom strings proudly emerging in the cold of winter.(20110102) 内容简介（英文）： Wang Mien (style name Yüan-chang; sobriquets Chu-chih shan-nung, Lao-tsun, Chu-t'ang, and K'uai-chi wai-shih) was a native of Chu-chi, Chekiang. He came from a poor family, but as a youth was fond of studying. One day he slipped into the local school to study with others, only to lose the sheep in his care at nightfal1. Expelled by his father, he sheltered himself in a temple and nightly sat on the knees of a Buddha sculpture at night in the temple so as to catch some lamp light to study by. The scholar Han Hsing of K'uai-chi rewarded his assiduity by taking him as his pupil. After having failed in a lower civil service examination, he traveled about and wherever he went many men of letters vied with each other in seeking his association. Throughout his life he excelled at painting bamboo and rocks and was particulatly adept at plum blossoms in monochrome ink, no less than Yang Wu-chiu of the Sung dynasty. In this album leaf is an old convoluted plum tree with scattered branches and piles of cold blossoms that are independent and chaste. The trunk of the plum tree is depicted in "flying white" with the silk showing through the ink. The brushwork is tough and rigid, but spirited in its liveliness. The blossoms, whether as buds or in full blossom, are posed in their characteristic stances. The entire work has been suffused with washes of light ink, even further accenting the pure and cold beauty of the plum blossoms.