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鑑藏宝玺:乾隆御览之宝题跋资料:
题跋类别:作者款识;作者: ;题跋位置:本幅;款识:(款字漫漶不可识)主题:
主要主题:佛道人物锺馗 ;次要主题:山水溪涧、湍泉溪涧;其他主题:山水夜景(月景) ;其他主题:佛道人物鬼怪 ;其他主题:树木 ;其他主题:花草芦苇 ;其他主题:器用兵器弓。箭技法:
皴法斧劈皴人物衣纹描法(粗细线条)参考资料:
收藏着录: 石渠宝笈初编(重华宫),下册,页736 收藏着录: 故宫书画录(卷六),第四册,页258 收藏着录: 故宫书画图录,第二十八册,页340-347 参考书目: 1.刘芳如,〈无款射妖图〉,收入国立故宫博物院编辑委员会编,《迎岁集福 — 院藏锺馗名画特展》(台北:国立故宫博物院,1997年二月初版一刷),页146-147。 内容简介(中文): 本幅选自「历代名绘」册第一开。款识已漫漶不可辨。绘水畔石隙,锺馗正振臂引弓,而箭已在絃。树底小窟中,一鬼神色惊怖,张口状欲告饶。锺馗出猎的题材,屡见于五代以降的流传画蹟。元周密《武林旧事》尝载:「殿司所进屏风,外画锺馗捕鬼之类。」清代《斩鬼传》,复衍生出富曲射撩乔鬼于松枝稠密处的情节。细审「射妖图」中,举凡山石之皴纹、衣纹之转折,均近乎明代浙派流风,推测本幅当系戴进(一三八八—一四六二)后学者所作。 内容简介(英文): The first leaf from the album "Famous Paintings through the Dynasties," the signature on this work is indecipherable. Standing on the bank of a stream, Chung K'uei turns to his left and pulls an arrow. With bow arched, he aims at a goblin crouching in terror with mouth agape in the hollow of the tree trunk.The subject of Chung K'uei hunting became popular in painting starting in the Five Dynasties. A record by Chou Mi (1232-1298) in Old Matters of Wu-lin (Wu-lin Chiu-shih) states, "The screens at the entrance to the palace were painted with images of Chung K'uei capturing demons." Killing Demons (Chan-kuei chuan), written in the C'ing dynasty (1644-1911), describes how the attendant of Chung K'uei, Fu Ch'ü, shoots a particular kind of goblin that lives in the branches of pine trunks. Close examination of this painting, including the texture strokes of the rocks and drapery lines, indicates it follows closely in the popular Che School style. The painting might be the work of a painter following in the manner of Tai Chin (1388-1462).