书体:

色彩:

设色

装裱形式:

册(折装‧方幅式)

创作时间:

文字类型:

质地:

本幅绢

释文:

印记资料:

鑑藏宝玺：宣统御览之宝

题跋资料:

题跋类别：作者款识；作者：王翬；题跋位置：本幅；款识：李咸熙群峰霁雪；书体：楷书；全文： 印记：王翬

题跋类别：题跋；作者：王士祯对幅五月朔日灯下。辕固里同学晚生王士祯顿首拜识。；书体：行书；全文：乙巳夏。祯在青州真意亭。为（下注丙午二字）先生题画册。因忆辛丑在扬州。壬寅在真州。前后为先生题画赋诗。不下三四十篇。今再而三矣。将来与先生相见。未知何地。念之慨然。辄识数语于末简。庚戌夏。先生方罹忧患居白门。而祯尚客袁浦。先生属八十六翁丁继之寓书。且以四册命题。意甚切至。祯年来衣败絮行荆棘。泓颖久废。感先生之意。为跋二十馀则。追理前语。倐忽又四五年。感时抚事。为之流涕。先生烟云供养。虽入坎窞。而天钧泰然。自当动免乎险。第不知丁翁到日。先生披览之下。忆青州曩昔之言。亦为忼慨破涕如馀否乎。五月朔日灯下。辕固里同学晚生王士祯顿首拜识。印记：持诗虡、王士祯印

主题:

主要主题：山水  主要主题：山水冬景（雪景） ；其他主题：树木松 ；其他主题：树木寒林．枯树寒林；其他主题：建筑寺庙 ；其他主题：建筑房舍 

技法:

皴法 苔点 

参考资料:

收藏着录： 石渠宝笈三编（御书房），第七册，页3229-3236 收藏着录： 故宫书画录（卷六），第四册，页273-281 收藏着录： 故宫书画图录，第三十册，页272-285 参考书目： 1.许郭璜，〈清王翬仿李咸熙群峰雪霁〉，收入《李郭山水画系特展》（台北：国立故宫博物院，1999年初版），页113-114。 内容简介（中文）： 王翬（西元一六三二－一七一七年）字石谷，号耕烟散人，又号乌目山人、剑门樵客。江苏常熟人。山水得王时敏指授，为清初四大家之一。深山积雪，古松楼阁。景物集于下方呈金字塔状，馀为辽阔天空。主峰突起，画平台崖壁染赭色，馀山石用披麻皴法，笔法柔隽；山头树梢微点白粉，松及远树用重墨画染石绿。画家以青绿设色表现出冬日深山小雪的景致。 内容简介（英文）： Wang Hui, a native of Kiangsu province, studied landscape painting fromWang Shih-min and became one of the Four Great Masters of the Early Ch’ing.Trees and buildings appear along a snow-filled mountain in this album leaf. The elements here are focused in the lower half of the painting, leaving the sky above to create an expansive feeling. The pyramid form of the cluster of hills is capped with a flat top. The hills are washed with ochre, the rest being done in hemp-fiber texture strokes to suggest softness. The upper parts of the hills are slightly shaded with white pigment, while the pines and distant trees were washed with mineral green. The artist has used a blue-and-green color scheme to give life to an otherwise cold winter scene. 网页展示说明 王翬（1632？1717），江苏常熟人，字石谷，别号耕烟散人、剑门樵客、清晖主人。以王鑑、王时敏为师，笔墨参古今，画技精熟，为清代之冠。 本幅画深山积雪，古松楼阁。山头树稍微点白粉，松及远树用重墨画染绿；主峰突起画平台崖壁染赭色，其馀的山石用披麻皴，山凹深处有楼阁数重，山背染赭及再置石绿重色，布景偏右下方，其馀衍为辽阔天际。 此图以青绿设色画雪景与本院藏之王时敏七十七岁所作之「仿王维江山雪霁」渊源甚深。如画中，天色昏暗，以墨淡染，山头留白以白粉傅染为雪景，部分山石以赭黄罩染，山凹深处以石绿置染喻为衰草覆盖。重彩与墨黑相对应，幽杳深邃。两相比对，皆见王翬画法深受王时敏的启发。 网页展示说明 Wang Hui, a native of Kiangsu province, studied landscape painting from Wang Shih-min and became one of the Four Great Masters of the Early Ch'ing.Trees and buildings appear along a snow-filled mountain in this album leaf. The elements here are focused in the lower half of the painting, leaving the sky above to create an expansive feeling. The pyramid form of the cluster of hills is capped with a flat top. The hills are washed with ochre, the rest being done in hemp-fiber texture strokes to suggest softness. The upper parts of the hills are slightly shaded with white pigment, while the pines and distant trees were washed with mineral green. The artist has used a blue-and-green color scheme to give life to an otherwise cold winter scene.