书体:

色彩:

设色

装裱形式:

册(折装‧方幅式)

创作时间:

文字类型:

质地:

本幅纸

释文:

印记资料:

作者印记：荣木

题跋资料:

题跋类别：题跋；作者：王士祯对幅祯具草；书体：行书；全文：绝壑萧条一树松。幽人樵迳晚相逢。相将倚杖吟秋水。望尽夕阳千万峰。为栎翁先生题叶荣木画。请正。祯具草。印记：王士祯印

题跋类别：题跋；作者：李良年对幅时庚戌夏七日。嘉兴李良年。；书体：楷书；全文：六月清江放舸迟。火云晴雾总难支。如何忽有松风入。白鹭洲前看画时。泊舟扬子。将之都下。走别栎翁先生。出数册见示。敬题一绝求政。时庚戌夏七日。嘉兴李良年。印记：李十九、武曾父

主题:

主要主题：山水  主要主题：山水溪涧、湍泉湍泉；其他主题：人物高士（士人、隐士）三人；其他主题：树木松 ；其他主题：树木柏 ；其他主题：树木  ；其他主题：山水山径 

技法:

人物衣纹描法(减笔) 苔点 

参考资料:

收藏着录： 石渠宝笈三编（御书房），第七册，页3229-3236 收藏着录： 故宫书画录（卷六），第四册，页273-281 收藏着录： 故宫书画图录，第三十册，页272-285 内容简介（中文）： 叶欣活动于清顺治、康熙年间，字荣木，华亭（今上海）人，一作江苏无锡人。流寓金陵（今南京），为金陵八家之一。山水学宋赵令穰，复参以明姚允在。本幅夕阳返照，晚红正笼罩着群山，画家为点醒这一片枯寂萧条的幽境，用对比的石绿和赭石颜色来相衬托。设色之法则虽至为平常，然轻重之间，把握正确，鲜明中自有一份调和。尺幅之内，山峰岩石突出于上，松树隐于下，布局别致。画中幽人，樵径相逢，把臂言心。见之使人如入秋山，回首人境，感受脱尽尘氛。 内容简介（英文）： Yeh Hsin (style name Jung-mu) was a native of Shanghai, though he is sometimes said to be from Wu-hsi. He lived in Nanking and was one of the “Eight Masters of Nanking.” He studied the landscape style of the Sung artist Chao Ling-jang and the Ming artist Yao Yun-tsai. Yeh Hsin has depicted a desolate, lonely landscape bathed in the reddish glow of a setting sun. Though the use of malachite and umber can be considered a common occurrence, Yeh Hsin has created a masterful, harmonious painting through contrasts of mineral colors of varying intensities. In this scene of mountains and pines, two scholar-hermits meet and chat with each other, touching each other’s arms in a warm gesture. Through this vignette of an autumn landscape, Yeh Hsin has transported the viewer into a different realm where one has left behind the worries and annoyances of a common existence.